Posts Tagged ‘Yeah Yeah Yeahs’

Yeah Yeah Yeahs // Skeletons 7”

Thursday, May 6th, 2010

This year my only Record Store Day purchase was a Yeah Yeah Yeahs 7” featuring both a studio and live version of “Skeletons”, a track taken from their stellar 2009 album It’s Blitz. Maybe next year I’ll shop on Record Store Day rather than five days afterwards… Anyways, the two reasons why I bought the vinyl was: 1) I was curious to hear a high audio quality live recording and 2) I really dug the photo that guitarist Nick Zinner took for the cover (see above).

I’ve always thought that Yeah Yeah Yeah’s strong suit has not been their raucously energetic anthems but rather their blissfully sweet ballads. Clearly, “Skeletons” can be entered as evidence to argue this point. Opting for gentleness rather than her patented harshness, Karen O’s vocals appear tenative—if not completely hesistant—at times, especially her pronouncements of “love don’t cry” during the chorus as a sea of synth swells begin to rise up and wash over the track. Gorgeous doesn’t even begin to describe it.

I couldn’t find an mp3 of the live recording from their show in Williamsburg which serves as the B-side of the 7”, but here is an acoustic rendition of the track that is just as beautiful:

Yeah Yeah Yeahs // Skeletons (Acoustic Version)

Dark Was the Night + War Child Presents Heroes

Wednesday, March 11th, 2009

The latest of my weekly post for The Llano Idea centers around the two recent compilation albums that have been getting rave reviews in the press: Dark Was the Night and War Child Presents Heroes. Here is an excerpt from full article which you read here when it comes out tomorrow:

It seems that most philanthropy done these days by the music community is either in the form of mega-benefit concerts or charity compilations. Since the former has been adequately exhausted due to Obama’s campaign trail, independent music listeners will have to settle for a handful of recently released albums featuring a jaw-dropping collection of musicians. The two such pieces that have caught my eye (and no doubt others’ as well) recently have been the Dark Was the Night two-disc set benefiting the Red Hot Organization in their fight against AIDS and the War Child Presents Heroes compilation helping children who live in war-torn regions.

Dark Was the Night is the brainchild of The National’s brother guitarists Aaron and Bryce Dessner whose aim is to use “music as a great vehicle to raise both money and awareness for AIDS.” With a who’s who list of popular “indie” artists that are sure to make any music hipster giddy with joy (Andrew Bird, Beirut, and Spoon to name a few) the album was destined to move a lot of copies with or without the added incentive of helping a good cause. As a much-heralded bonus, artists featured on Dark don’t contribute throwaway tracks and forgettable B-sides but rather songs which would fit nicely on any of their individual “proper” LPs.

Switching gears a little, Heroes features fifteen music industry stalwarts selecting modern day artists to cover one of their songs. Just as compelling as the cover songs themselves are the artists chosen by the living legends, making the album interesting to listen to on multiple levels. For example, Beck’s take on Dylan’s “Leopard Skin Pill Box Hat” is killer – bringing out the bass line and exaggerating the electric guitar interjections – but the image of Bob jamming out to Guero when he’s all alone is absolutely priceless. Some of these selections aren’t too surprising (David Bowie choosing T.V. on the Radio’s after they featured Bowie on “Province” from Return to Cookie Mountain), but others certainly leave you with that WTF feeling. The most egregious of pairing has to be The Clash’s selection of Lily Allen that I am sure lead to some deceased members rolling over in their grave.

Yeah Yeah Yeahs // It’s Blitz!

Sunday, March 1st, 2009

Review: 8.0

After listening through the new Yeah Yeah Yeahs’ LP It’s Blitz, I feel like I am no more equipped to right a review than when I first heard their single “Zero” after it broke onto the scene a couple of weeks back. When asked whether or not I like the album, I think this is one of the few instances where a response of “it’s different” is probably the most appropriate answer.

No doubt, a lot of attention on the new album will be placed on Zinner’s new found love for synthesizers and electronic elements – preferring tinkering with dials in lieu of his trademarked thrashing guitar style – and will be solely credited with the bands failures or successes (depending on how you look at the album). After “Zero” was released, most critics reveled in the YYY’s ability to make rock-out dance music. However, once the next track “Heads Will Roll” leaked and it seemed that indeed the entire album would be made in the same electronic manner, the critics started backing away from their initial accolades citing reasons as their uneasiness with the group plunging headfirst into electronic while leaving guitar lines at the chopping block.
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