Posts Tagged ‘Remix’

Grimes // Crystal Ball (Stalker Remix)

Monday, August 29th, 2011

Holy.Shit. Just when you think you’ve heard all the Grimes remixes another comes seemingly out of nowhere to blow you away. Stalker’s take on “Crystal Ball” is not just a unique spin on a tried-and-true Grimes track, but it’s also a complete 180 from any other Stalker track you may have heard in the past year and a half.

For the first time in, well, forever, the tempo remains above molasses pace and you have elements with sixteenth note rhythms (snare taps, vocal cuts), but the “traditionalists” need not fret: the grinding warped guitars are still there and the track itself still has that overall uncomfortable dissonance to it that Stalker is known for (although not as pervasive compared to say “final_1″). What gets me most excited about this remix is the fact that Stalker seems to be branching out and experimenting more which makes me even more eager to listen in on his future stuff. Check out the track below and get ready to be blown away:

Grimes // Crystal Ball (Stalker 432Hz Mirroremix)

RxRy // 4eroport

Sunday, August 14th, 2011

For those who’ve been wondering where I’ve been (or those who hadn’t checked a couple posts down), I finally got hitched to my long-time friend/girlfriend/fianceé this past July. Afterwards we had a hellish time getting internet at our new place in Salt Lake City, but lo and behold I’m back!

To celebrate the blog resurrection, I got a new cut from Pt-Music favorite RxRy fresh out of the inbox. Perfect timing. Here’s what he wrote about his “diced rearranged filtered and chopped” version of “1/1″ from Brian Eno’s 70s ambient record Music for Airports:

someone special to me is taking a trip away
so I made a song for them…for in the air.

From someone whose taken his fair share of global flight and has “been there,” this is an excellent bon voyage track that is sure to send them, whoever it may be, off right. So sit back, make sure all electronic devices are off and stowed, and enjoy this sixteen minute flight from your head.

4eroport (Brian Eno remix) by RxRy

Grimes // Crystal Ball (Babe Rainbow Remix)

Sunday, July 10th, 2011

I love Grimes. I love her original music, I love all the remixes that she puts together, and I love her songs getting remixed by others. The latest is a warped out version (pun intended) of “Crystal Ball” by fellow Canadian Babe Rainbow.

Babe Rainbow completely strips down the Bat for Lashes-feel of the original and reassembles it in a bed of minimalist drum plops and synth chords. Looping Grime’s signature “AaaaAaah”s and producing rhythm from a repetition of “Fasssster”s give the track a more hypnotic feel than even the original can claim, which is quite the feat. Check out both versions below:

Grimes // Crystal Ball

Grimes // Crystal Ball (Babe Rainbow Remix)

Grimes // Heartbeats (Laurel Halo Remix)

Friday, May 6th, 2011

[Photo: Chuck Rogers]

I’ve got an idea! Let’s smash together my two most recent obsessions on a track and see what happens. That’s what Laurel Halo decided to do by reworking Grimes’s “Heartbeats” into a cosmic swirl of audio foam. Check out the magic below (courtesy of the always great Disco Naïveté):

Grimes // Heartbeats (Laurel Halo Remix)

Bikini // R.I.P. (Grimes Remix)

Monday, May 2nd, 2011

In an effort to not sound too much like a shill for Grimes, I’m just going to let this track speak for itself:

Bikini // R.I.P. (Grimes Remix)

Becoming Real // Closer (Stalker Remix)

Sunday, April 10th, 2011

Serendipitously came across this Stalker remix for Becoming Real’s track “Closer” when it was hyperlinked from a related Pictureplane remix. I swear, I say this every time a new Stalker track drops, but I think this is my favorite. He’s just so damn good at dropping tempos and bending pitches into tension-filled chords — and he’s getting the process more refined with each track/remix. You can check out the original, the time-warped Stalker version that makes the song almost unrecognizable, and Pictureplane’s hyperactive arcade take below:

Becoming Real // Closer (Stalker Remix)

Becoming Real // Closer

Korallreven // Honey Mine (Memoryhouse Remix)

Friday, February 18th, 2011

FYI, I will post about every single Korallreven mp3 that is known to man. Love Korallreven and love Memoryhouse almost as much! Buy the digital EP from Acephale Records here.

Korallreven // Honey Mine (Memoryhouse Remix)

Sail A Whale // The Truest Whale

Monday, November 15th, 2010

Keeping the Sincerely Yours love-affair alive, I was navigating their site after the new jj tracks dropped yesterday and I came across this video of Sweden’s Sail A Whale remixing a seemingly remix-worthy Korallreven track (it looks like “Truest Faith” is the “A-Milli” of 2010).

Stripping the song of most of its airy fun-filled frills, Sail A Whale pretty much only keeps the background rhythm of the original — even replacing the instrumentation of that line from a lightly touched keyboard to a more oriental chime — making you think that it’s a completely new track rather than a reimagination of an established one. Even after listening to it a dozen times, I can’t hear too much of a similarity between the two (case in point: the vocal overlay is brief, occuring two-thirds of the way through the song for a mere thirty seconds). What we get instead of a happy-go-lucky electro-pop track is a more sparsely layered atmospheric song that is a ripe soundtrack for blissful sleep.

You can check out the video, composed by Sebastian Rozenberg, as well as an mp3 of the track (courtesy of GvB) below:

Korallreven // The Truest Faith (Korallreven Remix)

Seamonster // Two Birds 7”

Saturday, October 16th, 2010

A couple of weeks back I received a kickass shipment of 7”s from Gold Robot and Royal Rhino Flying Records — one of which was this stellar EP put out by Virgina’s “ambient/psychedelic/folk” musician Adrian Todd Webb, whose stage name is Seamonster. Threw in as an added extra with my other orders (thanks guys!), Two Birds quickly and quietly rose to the top of my vinyl pile and has since found a near-permanent home on my turntable.

Pressed as a 33 1/3 7”, there’s no surprise that a lot of music is packed into this record, but having five tracks to listen to was even more than I was expecting. The A-side starts off with an instrumental intro track, entitled “New England” which, based on my travels to the East Coast, is an apt musical representation of the area. If you’ve heard a Seamonster track, odds are it’s been the woozy, psych-heavy “Bearsuit” which shows up as the finale as the A-side, however, my favorite of the front tracks is the more upbeat, driving “Oh Appalachia” which meshes together some electronic noise spurts with a more traditional stripped down indie-rock arrangement (simple acoustic guitar, solid drum line).

Now the two track B-side is really where the group shines. “The Philosophy of Andy Warhol”, a track most definitely influence by the book of the same name, is the most lyric heavy song on the release. With nothing more than a couple of repetitive lines softly going on the background, all attention is focused on Webb’s delicate singing of deeply thought-provoking words (e.g. “space is all one space / though all one thought”). Finished up the EP is the pleasant “Annalee” which sounds like it could be easily mislabeled as “60s folk” and placed on some dusty shelf in an Anywhere, USA record store.

You can download the entire EP for a “Name Your Price” fee from Seamonster’s bandcamp page or head over to the shop to snatch a copy of the slick all-white vinyl. To give you a taste, here’s my favorite song “Oh Appalachia” with a hyperactive Railcars remix of the track thrown in for good measure:

Seamonster // Oh Appalachia

Seamonster // Oh Appalachia (Railcars Remix)

Roman Ruins // PASTOR/AL 7”

Wednesday, August 25th, 2010

For anyone who reads my site on the regular, it isn’t a surprise that I love remixes. That’s why I auto-clicked when I got an e-mail containing Roman Ruins remix to Beach House’s stellar Teen Dream track “Lover of Mine”. Now I haven’t heard too many Beach House remixes (this must be a testament on how hard it is to tackle their music), however I think it’s safe to say that Roman Ruins puts in a damn good attempt at making his own spin on this modern classic. Maybe it’s due to the fact that he’s their tour drummer that he’s able to put in such a great effort…

Meant to be a promotion for his newly released PASTOR/AL 7”, available on Gold Robot Records, I have to say that the remix pales in comparison to the two original tracks on the 7”. I was blown away when I first tuned in to the B-side “The Comedown” for the first time. Complete with woozy vocals and skylit synths, the track is a definitely headphone listen that is sure to capture your attention until the last airy syllables.

Check out the two tracks below and head on over and cop yourself a sweet orange 7” at Gold Robot’s shop for a measly $5+S/H (I already did!).

Roman Ruins // The Comedown

Beach House // Love of Mine (Roman Ruins Remix)