Posts Tagged ‘Pill Wonder’

Pill Wonder // Jungle|Surf 12”

Wednesday, April 14th, 2010

It’s been a while since I’ve done a record review, but Pill Wonder‘s Jungle/Surf 12”, released on the much heralded Underwater Peoples label, is just what I need to snap out of my slump. Adhering to the records appellation to a T, the vinyl is thematically split — the A-side being more “earthy” and the B-side more “beachy”, as you would expect — showcasing the diversity of these Washington experimentalists. Producing some of the most original full-band stuff I’ve heard in quite sometime, it’s hard to pinpoint (or, as bands would say, “pigeonhole”) Pill Wonder’s sound. All your left with after an initial listen is a favorable impression and the desire to spin the record on repeat.

No doubt, the vinyl’s highlights are found in the mid-section of each side. Marked by a mishmash of percussion noise and a persistent squeaky sound, which I can only describe as a distractive recorder-gone-bad, the openers of both faces on the 12” (“Foggg Eater” and “Wasted By the Screen”, respectively) certainly don’t put the band’s best foot forward. However, all is forgotten and forgiven when the needle jumps to track 2. On the A-side, “What We Know” begins with an assortment of wildlife sounds which matched perfectly the animal projections they had displayed when I caught them live back in November. After about a minute of this, the melody begins to rise up from the jungle floor and whispered vocals — the type that is more secretive than seductive — take over the track. Towards the end, the “bubbling feeling” that is present throughout the song gets manifested literally by a rapid-echo on the “AAoohhs” before seamlessly transitioning into the next track. Arguably my favorite in the bunch, “Being Bored”, with its legato couplets at the beginning and end of each phrase and its bouncy beat, is a lot of fun to listen to and, I’d imagine, a lot of fun to record.

As for the B-side, the second track, entitled “Gone to the Market”, is a verifiable jammm. Equipped with a head-bobbing intro and chant-able repeated lyrics of “and they look you in the eye”, the track will easily rouse the most arms-crossed of hipster crowds and have them singing in unison to the “AAAAOOOooohhhs” by the end. After the dancing to “Gone to Market” ends and the dust is settled, the record concludes with two of Pill Wonder’s most ballad-like songs: “Family Vacation” and “When I Look Back”. The former is a pleasant-enough track that brings the listener off their high and back to planet earth while the latter is short and sweet enough to serve as a perfect palate cleanser to an otherwise raucous record.

Give a listen to “Gone to Market” and “What We Know” below as well as check out the amazing, but mildly-NSFW, video they put together for “Wishing Whale” (the closer to the A-side). And if you like what you hear, cop the record from Underwater Peoples’s store here.

Pill Wonder // Gone to the Market

Pill Wonder // What We Know

Delicious Scopitone // Best of 2009 Compilation

Thursday, December 24th, 2009

Now I’m going to get all meta with this post and blog about a blog because my e-friend Emmanuel down at the Delicious Scopitone has put together an awesome compilation chronicling some of his favorite found tracks of 2009. Now if you are one of the unfortunate people who haven’t heard about this French blog, the brief rundown is that it’s a website whose chief priority is to discover new talent on a daily basis — regardless of the location or the obscurity of the band. With mp3s or video samples accompanying each post, there’s really no reason why you shouldn’t be checking them out right now. Now I know what you’re going to say, “but Bryant, there are PLENTY of sites like that”. While that might be the case, where the Delicious Scopitone is different is that it doesn’t suck, and I’m not the only one to notice this.

Emmanuel’s twenty-song mix, going by the quasi-Latin title of Ecliptic Odious One, features a different Scopitone-unearthed artist for each track. Certainly there are some duds in the bunch (but even the less talented bands have charming characteristics that make them better than about 90% of the acts out there), but the compilation as a whole is a wonderful listen that would make for a great spin at the next get-together with your friends.

While the compilation opens up nicely (the Grizzly Bear/Fleet Foxes sounding “All Packed Up” by Lexington’s Idiot Glee especially), it doesn’t really start getting the ball rolling until the fifth track, the beautiful constructed “The Watcher”, gets to the plate. Sounding like some sort of incantation full of repetitive Gregorian-like chants and isolated drums, Fielded is able to slowly gain momentum and reach a satisfying climax using only layered vocals and scant instrumentation — something that few bands are successfully able to pull off. In similiar haunting fashion, Michigan’s Creepy Crawl’s “Pretty Tendrils” starts off with a sound akin to a Grouper and Burial crossbreed — dark and, as the band name would suggest, definitely creepy — however, when vocals are entered into the equation, the song morphs into an interestingly bizarre track reminiscent of Gang Gang Dance’s “Afoot”.

The mix also features the Washington-based band Pill Wonder, whom I’ve had the ability to see live when they played alongside Real Estate back in November. The song chosen, the animalistic “What We Know”, certainly was a set highlight from that night, causing a slight stir in the form of some “hipster head-nodding” that broke the ice off of the typically motionless crowd.

Now I don’t know if Emanuel or his partner-in-crime Leslie, who has put out an awesome mix of her own, trudges the deep dark depths of the myspace graveyard to find these acts (most have under 50,000 profile views which, for a band, is not that much) or if they happen upon them by chance. One thing’s for certain though, at the rate their going you’re going to be seeing a lot more [via: Delicious Scopitone] credits on your favorite blogs in 2010.

You can hear a sample of the compilation with the mp3s below and, if you like what you hear, you can download Emanuel’s mix here.

Mason Lindahl // Serrated Man Sound [via]

Fielded // The Watcher [via]

Real Estate // Portland // November 19, 2009

Saturday, November 21st, 2009

There was a sweet show yesterday featuring recently crowned Best New Music inductee Real Estate alongside future Underwater Peoples labelmates Pill Wonder with Northwest homegrowns Rainbow Bridge sandwiched between. Holocene, the very slick venue where the bands were playing, also had a DJ spinning some 80s-tastic tracks in between sets with acid washed stock video footage playing on a huge projector screen — mixing nicely with the “chillwave” vibe of the acts.

I was excited to check out openers Pill Wonder just because I noticed they had a 12” in the queue and was hoping that they played some of their new material (a man can only gauge so much from four tracks on their myspace). I wasn’t disappointed as the seven piece (!) band exceeded their 30 minute time slot churning out their patented psychedelic tinged garage rock for a crowd of about forty. They ended strong with a solid funkadelic/r&b number with bassist Hans doing his best James Brown impression. All-in-all, it was a lively set.

Next in line was the male/female guitar/drums duo Rainbow Bridge. With a set of trolls on stage and the drummer donning a fake beard, I was halfway expecting a quirky kitsch act. Much to my surprise, they played some kick ass garage rock tunes which made me think about how Jack & Meg White probably started out playing to similar crowds in Detroit in the late 90s. Undeniably the crowd pleasure for the group (and arguably the whole night) was their hit track “Big Wave Rider“. With simply sung lyrics “big wave rider / try and ride a little higher / you’re a glider / smile wider” over sparse instrumentation, it didn’t take long for the audience to join in and sing out the chorus.

By the time Real Estate took the stage at 11pm, the crowd had swelled to around eighty or so folks, mostly clad in skinny jeans and eighties regalia of some sorts. In response to the size, the band said this was one of the best crowds on the tour — something that I am sure Porlanders hear quite frequently. Any questions about whether this band was overhyped or undeserving of a constant stream of buzz since their SXSW showing were put to rest when they opened up with the infectious guitar line on “Beach Comber”. Now most reviews I’ve seen of Real Estate tend to follow a madlib like recipe: “Their [adj. / wobbly] guitars invokes a sense of [childhood story of the beach] — with the repetitious [instrument] enforcing that feeling”, however, when you see them live you get a sense on how much more this group is than some band riding the “chillwave” fad of ’09.

Through the glimmering tautophony lies these bluesy syncopated guitar solos that Matthew Mondanile (aka Ducktails) and Martin Courtney shine on — not to mention the commanding power bassist Alex Bleeker has on his instrument (something that will surely translate over to his “solo” work with The Freaks). As time elapsed, you couldn’t help but be swept away by their performance and get lost in their sound. This partly affected my determining of the setlist, as I tended to loose interest in knowing the exact song they were playing and got caught up more with the feeling they were invoking through their tunes:

1 // Beach Comber
2 // Pool Swimmers
3 // (?)
4 // Fake Blues
5 // Suburban Beverage
6 // Black Lake
7 // (?)
8 // (?)
9 // Atlantic City
10 // Fake Blues

I think it goes without saying that if you get a chance to see this band play in an intimate venue, do it because these guys are just going to get more of a following as time goes by. Here is a video of them playing “Fake Blues” at SXSW this past year along with some songs of theirs:

Real Estate // Beach Comber

Real Estate // Fake Blues