Posts Tagged ‘mp3’

Two for Tuesday // Covers Edition II

Tuesday, March 9th, 2010

Came across two cover songs today that are amazingly good and are worthy of some Two for Tuesday coverage. The first is a cover of The Magnetic Fields song “Yeah! Oh Yeah!” by UK chanteuse Tracey Thorn and Swedish oddball singer/songwriter Jens Lekman. It seems like the two are diving head first into a musical relationship, as Jens is slated to be featured on a couple of tracks on Tracey’s upcoming album, while Thorn is returning the favor by writing lyrics about Lekman. Though a lot more melodic that the original 69 Love Songs-featured song, it is quite surprising how similar Tracey/Jens voices are to that of Claudia Gonson and Stephin Merritt.

The second song is an out-of-nowhere cover of Justin Timberlake’s wildly popular hit “My Love” by Portland native White Hinterland (née Casey Dienel). Stripping the overly-produced track of all its bells & whistles, Dienel takes Timberland out of the equation and replaces it with only a minimalist tribal drum beat and her soft, beautiful voice. What a great rendition! And if you like this, be sure to cop White Hinterland’s latest album Kairos from Dead Oceans today!

Tracey Thorn & Jens Lekman // Yeah! Oh Yeah! (Magnetic Fields Cover)

White Hinterland // My Love (Justin Timberlake Cover) [via: Dipped in Dollars]

Woods // I Was Gone 7”

Tuesday, March 9th, 2010

After seeing that order shipments from Woodsist have been delayed until April 1, I got a nice surprise when my I Was Gone 7”, the latest from Brooklyn experimental folk group Woods, came in the mail this past week. Although probably not considered as rare as some of their other albums (an initial pressing of 1500 7′’s is the vinyl equivalent of what Dan Brown got for The Lost Symbol), it’s still one of my favorites as it explores what post-Songs of Shame Woods might sound like.

Similar to “Creeps Collage” off of their Woods Family Creeps S/T, the A-side “Days Gone By” is a mix-and-match of track snippets, transitioning from one to another sometimes abruptly, sometimes smoothly. No doubt the mid-section of the song is the preferred part, featuring a soulful guitar line and the delicate falsetto of Jeremy Earl chanting the line “many days gone by”. The B-side is filled with a duo of jamming two-minute tracks. The first of which, entitled “I Was Gone”, is certainly “Eastern inspired”, prominently featuring some sitar-like sounds that mesh well with the psychedelic-tinged tendencies of the band. On the other hand, “Hang On” is one of their patented creepy songs which showcases spidery guitar lines and haunting background moans that no doubt add to the overall sense of uneasiness of the track.

You can check out the mashed together “Days Gone By” below, and, if you like it, cop the record from Midhaven Mailorder for a timely delivery:

Woods // Days Gone By

Girls in the Eighties // Teenage Royalty

Tuesday, March 9th, 2010

Seems that while I was on break, a lot of things happened. But let’s not harp on the past, but rather dive head first into the future with, ironically, a band named Girls in the Eighties.

Now I’m not quite sure how I suddenly had a series of mp3s from this Nashville fuzzed-out group appear in my iTunes library, but thankfully it happened. Evidently, it can happen to you as well, as the band is giving away their debut, entitled Teenage Royalty, FOR FREE from their myspace page (or, for the less stingy, you can send them along $5 for a physical copy). What I like most about Girls in the Eighties’s album is how they somehow manage to mash together noise rock with mainstream pop without any blend occurring whatsoever. Just like water and oil in a bottle – together in the same container yet completely separate and distinguishable — it seems on every song you have a certain catchy-ness that you would find on the Billboard Top 100 while simultaneously blasting your ears with reverb filled vocals and staticy guitar lines. I mean, sure, we’ve heard plenty of roughed-up pop songs to go around this past year, but where The Pains of Being Pure at Hearts of the world work to blend together the elements of the two worlds, Girls in the Eighties are more keen on separation.

No track is a better example of this than their opener “Vacation”. Take away the bullhorn screamed vocals and the warbled looped sample midway through, and what you’re left with is a crystal clear pop-rock track that could be featured on Now That’s What I Call Music 33. It’s like they know that these tracks could be Grey’s Anatomy bound and are intentionally screwing them up with noise, all while giving a collective middle finger to mainstream music companies. Brilliant!

Now certainly, Girls In the Eighties bend both ways across the happy medium they found with “Vacation”. “Teenage Royalty”, for example, is much more muddled with only a discernible melody during the chorus and is frequently clouded with random electro bloops & beeps fluttering every which way. On the other hand, “Yesterday’s Don’t Mean Shit” and “Too Cool For This Crowd” venture too much into your High School Senior Class Song territory, but, fortunately, both are salvaged by their cheeky lyrics. If anything can be said about Teenage Royalty is that it’s a fun listen that’s good for a play pretty much anytime.

Here are a handful of my favorite tracks and, if you want more, just head on over to their myspace to dowload the LP:

Girls in the Eighties // Slow Motion

Girls in the Eighties // Teenage Royalty

Girls in the Eighties // Vacation

PT Music Mixxx // Groovvve Bloom

Sunday, February 28th, 2010

I don’t care what Punxsutawney Phil says, it’s freaking springtime in Portland RIGHT NOW! To celebrate the handful of sunny days we’ve had this past month (my standard for declaring a season change is pretty damn low), I put this mix together while boxing up my SAD lamp and dusting off my sunglasses. Ah spring: summer’s warm-up act.

You can download the hour-long mix here (92.5Mb). As for the tracklist, it’s mostly new(er) stuff with some sprinklings of old favorites here and there:

  • RxRy // Baulkn Slihts
  • Ducktails // Oh, Magnolia Tree
  • Sonny and The Sunsets // Too Young to Burn
  • King Tuff // Sun Medallion
  • Memoryhouse // Foreground (Grizzly Bear Cover)
  • Cibelle // Lightworks
  • Javelin // Mossy Woodland
  • El Rego et ses Commandose // E Nan Mian Nuku
  • Dominant Legs // Clawing Out at the Walls
  • Efterklang // Modern Drift
  • The Sandwitches // Grey Wizard
  • Julian Lynch // Banana Jam Pt. 1
  • Primary 1 // Foaming (Memory Tapes Remix)
  • El Guicho // Prez Lagarto
  • Tamaryn // Light Shadows

Also, if you like this mix, you might also enjoy some of the other ones I put together in the past.

Allah Las // “Long Journey”

Sunday, February 28th, 2010

It seems like the folks at Adult Acid are slowly becoming my de facto source when it comes to finding out about new lo-fi garage rock acts. Take the LA tapedeck-recorded surf-rock jams by the LA group Allah Las which AA posted about a couple weeks back: AMAZING!

How “glo-fi” was the critic’s pick for genre of the year in ‘09, it seems that lately there has been a resurgence in feel-good surf-inspired music which is having people trade in their laptops for tangible instruments — and I couldn’t be happier! Now don’t get me wrong, I enjoy plenty of these electro-nostalgic groups, but after getting saturated by them for most of last year, it’s refreshing to hear catchy beach jams featuring twangy guitar recalling the 50s and 60s rather than the 80s vibe that “chillwave” groups use extensively.

Regardless how you feel of the different genre du jours, everybody can get behind the psychedelic tinged pop-gems that the Allah Las produce. Setting up the track nicely, “Long Journey” intros with a boogying bass line before transitioning to the easy-listening technicolor melody which I could see being used in the opening intro for some of Quentin Tarantino’s latest films. After a handful of “AaahhhhHHHHs” (appropriate for a group called the Allah Las), the first verse begins with “It’s been a long, long ride / I don’t know where I’ll stay tonight / under the stars / or maybe in the bed alright” — which, if the band was around for the Woodstock-era, would have resonated well with the nomadic hippy lifestyle. In fact, most of the track has a time-capsule feel to it, with its guitar-featuring bridges and drawn-out syllables of the vocals; transporting you back to your parents’ generation when people were spinning vinyl out of necessary rather than for appearance.

Below are a couple of handheld tape-recorded tracks the Allah Las sent my way that I’ve been digging. These are mostly in demo form (the band is planning on going to the studio the next couple of weeks to thrown down “Long Journey” and “Catamaran” for an upcoming 7” release), so no doubt they are a bit rough around the edges, however, they still make for a GREAT listen. There are also a bunch more “forgotten tracks, ideas, demos, etc…” on their muxtape page, so if you like what you hear below, check it out!

Allah Las // Long Journey

Allah Las // High Places

Gobble Gobble // “Lawn Knives”

Saturday, February 27th, 2010

Cecil from the self-proclaimed “flu pop” outfit Gobble Gobble sent over a handful of new tracks to me yesterday which I’ve really been digging. Among them was the Delicious Scopitone and Get Off the Coast-approved “Lawn Knives”, which is one hell of a sonic ride.

The track intros with a five second snippet of fuzzy guitar, much like The Numerators’s “City of Gold”, followed by a flood of static-y electro elements making me feel like I’m helplessly trapped underwater. Finally getting pushed to the surface by a wave of suspended cymbal rolls, the track clears up a bit with crisp vocals of “We all cut close / snip snip snip” sung over the choppy background electronic bloops & bleeps. Once the song reaches this point, the remaining 90 seconds blow past you with a whirlwind of digital instrumentation floating in-and-out of focus — making you instantly press repeat to make sense of it all. It’s a pretty crazy and pretty awesome trip!

I don’t have much information on any sort of physical releases Gobble Gobble has in the works (other than a new repressing of an out-of-print tape called Neon Graveyard, which you can download from DS for free here), but if the “Secretly New” label the band attached to “Lawn Knives” and “End of Days” on their myspace page is any indication, then there should be a 7” somewhere on the horizon, so be on the lookout! And if you’re fortunate enough to live in the Toronto area, then you can catch their Man-Man-esque live show in mid-March.

Gobble Gobble // Lawn Knives

Gobble Gobble // End of Days

Best Coast // Sun Was High (So Was I) 7”

Thursday, February 25th, 2010

Sorry for sounding too much like a shill for LA noise-rock act Best Coast, but Ms. Bethany Cosentino & Co. have been one of my favorite new bands of the past year so I feel all of my recent posts have been justifiable.

If you’re like me and you just missed copping their Sun Was High (So Was I) 7” on the unfortunately named Art Fag Recordings, have no fear because a repressing has just been announced! Printed on orange vinyl this go around, this limited edition 7” is sure to be snatched up quickly by the hordes of recently converted fans. So if you want a copy, head over to one of the fine online vendors to snag one before it’s too late again! Below, is an mp3 of one of the B-side tracks (and one of my favorite BC songs), “That’s The Way Boys Are”:

Best Coast // That’s the Way Boys Are

Two for Tuesday // Jens Lekman

Tuesday, February 23rd, 2010

If there is anything that Swedish singer/songwriter/humorist Jens Lekman knows best, it’s how to treat fans in the 21st century. In fact, it would be good for a lot of artists to take cues from what Lekman has done, infusing his self-run website with monthly open-dialogues and an endless supply of free mp3s. When it comes to the topic of filesharing, Lekman takes a practical point of view much to the chagrin of the RIAA: “you can download my entire records with filesharing programs, I don’t mind that but if you like my music please support me – buy my records, come to my shows or make a Paypal donation”. Lekman seems to be one of the few artists who can elicit a smidgen of sympathy from the pirate going rapidshare-crazy.

Well Jens has posted a lot more free material since the last time I checked his site. The first track, which you can download below, is from a 2005 split 7” with friend and fellow Swede El Perro del Mar, entitled “I Don’t Know If She’s Worth 900 Kroner”. The 7” is long since sold-out, so going digital is your best bet of hearing the record (the B-side is del Mar’s “Shake It Off” which is from her Look It’s El Perro del Mar! debut). The second recording posted below is a half hour live set Lekman did for the Kortedala Beauty Center — which may or may not be where “Shirin” works. Also meant to be a companion to his latest Night Falls Over Kortedala LP, the recording is very beautiful, even by Jens’s standards.

Check out the songs below and, if you want more, head over to his site:

Jens Lekman // I Don’t Know If She’s Worth 900 kr.

Jens Lekman // Kalendervägen 113.D

SXSW ‘10 Preview #4 // Reading Rainbow

Monday, February 22nd, 2010

With a vanity myspace URL of levarmotherfuckingburton, it’s obvious that Philadelphia noise-rock duo Reading Rainbow exploits its PBS namesake (hosted by a certain VISOR-wearing Star Trek alum). However, the similarities end with the moniker, because Robbie Garcia and Sarah Everton’s music is anything but kid friendly.

Lo-fi and noisy even by lo-fi and noisy established standards, every Reading Rainbow track is an auditory assault on the ear drums — it’s like I can feel my cochlea yelling at me everytime I listen to them. However, unlike pure-noise bands like AIDS Wolf and Pre, there are nuggets of melody that help keep you upright when you are being dragged through the rough. Although not used as expertly as Wavves (I can feel the backlash already), the sing-along lyrics, like the closing lines “who can direct us where to go / my mind is made up / the answer’s no” on the recently released “Underground”, are certainly more than enough to pique your interest and at least get you excited thinking about what a 30 minute SXSW set of theirs would look like!

Currently, Reading Rainbow are prepping another album before heading towards Austin in March. They’re slated to play a hell of a lot of shows (most notably Weekly Tape Deck’s AWESOME showcase), so if you’re on 6th St. during the festival, it will be difficult to NOT see them. Here are two tracks to let you in on what Reading Rainbow is about:

Reading Rainbow // Underground

Reading Rainbow // The Sun Is Out

Fennesz // June

Monday, February 22nd, 2010

Found a copy at my local record of Austrian avante-garde extraordinaire Christian Fennesz’s post-Black Sea 12” single entitled “June” which was limitedly released on Table of Elements, and man is it a doozie! This vinyl must be pretty obscure since there is no record of it on his wikipedia page and there are only a few places online selling it, ranging in price from $20 to £17 + shipping — almost as bad as a Mexican Summer release! Showcasing an etching on the A-side of what looks like a cartoon dragon eating a banana, this slab of orange wax is more aesthetically pleasing to the eyes than to the ears.

Although some will balk at the price tag for an album which only houses a bizarrely constructed five-minute track, with “June”, Fennesz puts together a hauntingly droney piece that’s a natural fit with the mentally taxing Black Sea. In typical Fennesz-fashion, musical textures are front and center — although much sharper and coarser than anything off its LP predecessor. Somehow included as part of Table of Elements 15th anniversary Guitar Series (featuring a slew of limited edition single-sided 12” vinyls), the spidery concoction of string plucks Fennesz highlights on the song isn’t remotely near anyone’s notion of what a “guitar series” track should song like.

Well don’t take my word on it, you can check out an mp3 of the track below:

Fennesz // June