Posts Tagged ‘Emily Reo’

Emily Reo // Live at Will’s Pub

Sunday, April 24th, 2011

Have no clue where I downloaded this live set of Emily Reo or what city it was even recorded from (but if the Reo’s exclamation of “Jheri, he’s kind of famous” is any indication, that might answer both questions), but nonetheless I feel inclined to post about it.

Although I don’t possess a tangible copy by anything of Reo (my suspicions that her Witch Mtn. Cassette was out-of-print seems to be unfounded), my digital library is scattered throughout with references to the singer. Whether it is with her collaborations (Blackbird Blackbird, Craft Spells, Philip Seymour Hoffman) or her original material, anytime is always the right time when it comes to listening to her stuff.

Although the live tracks I have of hers can be counted on one hand, each one is an endearing gem. You can check out my two favorites from her performance at Will’s Pub (including a Built to Spill cover) below and be sure to grab her Witch Mtn release for a pay-what-you-want price here.

Emily Reo // Metal On Your Skin

Emily Reo // Car (Built to Spill Cover)

Blackbird Blackbird // Fade to White + Starlight

Monday, September 20th, 2010

San Fran’s Blackbird Blackbird has slowly been cropping up all over the blogs this past summer and, as a result, amassed a sizable following. Armed with a trunk full of tracks, remixes, and collaborations — all released since April — this guy is quite the workaholic, and for anyone who follows his twitter feed, there seems to be no stop to the deluge of released material in the foreseeable future.

Even more shocking than Blackbird Blackbird’s prolificness is the quality: every single track is an auto-hit. The two most recently shared tracks, “Fade to White” and “Starlight”, are certainly no exception. With a foundation grounded in “chillwave” (god forgive the name), atmospheric, and bedroom pop, it’s really tough to nail down a proper descriptor for Blackbird Blackbird’s music. Thankfully, this diversity of sound is what sets his music apart from the unlistenable set of imitators. Both of the new tracks have an added layer of female vocals, provided by Emily Reo and Steph Thompson respectively, which definitely compliments the delicate sound of each song.

“Fade to White” is a beautifully constructed track whose phrasing gives it such fluid motion. Reo’s vocals are soft-spoken and placed more in the midground, achieving a delicate balance between being spotlighted and completely overlooked (if the listen wants, they can easily pick out the vox, or if they’d rather just be washed over by the music as a whole, they can do that too). Now “Starlight” is a completely different beast. If there was ever track that was made for the latter stages of a discotheque party, it’s this one. Thompson’s stretched out, whole-note heavy vocals are a perfect pair to the midtempo, woozy synth lines fluttering about around her.

You can download the two tracks below and, while you’re at it, head on over to Blackbird Blackbird bandcamp’s page for a more complete collection of songs (you might want to do it quite because it seems that bandcamp is a contentious issue with Blackbird Blackbird).

Blackbird Blackbird // Fade to White (ft. Emily Reo)

Blackbird Blackbird // Starlight (ft. Steffaloo)

Videos for the Veekend // 4|30 – 5|2

Sunday, May 2nd, 2010

Got a great collection of video finds from the past week, so let’s jump right into it:

Georgia down at Microphone Memory Emotion re-posted this video of Mountain Man singing “Animal Tracks” sometime during their lengthy stay at SXSW this past March. I swear, I’ll never get tired of this song…

The next video is of Neon Indian performing “Should Have Taken Acid With You” (arguably my favorite song by Mr. Palamo) from a show back in March recorded by Extraneous Noise:

I have to admit, the Electrical Engineer in me squealed a little with delight when I caught Born Ruffian’s latest oscilloscope-tastic music video for their track “What to Say”:

The second week in a row Toro y Moi has made my weekend round-up, this time with a live performance of his track “You Hid” shot by videographer Jon Casey:

Interstellar, space-y, or “lunar limelight” as Chocolate Bobka called it, are all apt adjectives to describe this live video of Oneohtrix Point Never’s performance of “Star Looks”:

The next video find is courtesy of Lou down at Salad Fork for unearthing this great Beach House cover by chanteuse Emily Reo:

The final video by Philly band U.S. Girls must have had a budget of $20 because it was made entirely on a B&W photocopier. The result is absolutely amazing: