Wow, can’t believe I missed this one! My favorite Norwegian band, Casiokids, is releasing a follow-up LP a year after their stellar debut Topp stemning på lokal bar hit the shelves stateside. Consequence of Sound is streaming the whole album, verbosely (and Norwegian-ly) entitled Aabenbaringen over aaskammen, right here. Go ahead and download the darker, synth heavy single “Det haster!” below:

Casiokids // Det haster!

For me, Twenty Ten was a stellar year in music, choke-full of inventive and highly imaginative albums, which made it incredibly difficult to narrow them down to a Top 100 yet alone a Top 35! For this year, I decided to do the list a little differently. Instead of scrupulously going through every album in my iTunes library to find the ones from this past year — a process which is a bit more time consuming than my limited free time allows — I decided to just use my memory to list out the albums which stuck with me the most.

For anyone who knows me, this process seems laughable (when it comes to names/facts, I have a terrible retention rate), however I feel like I got down almost all of my favorite albums. To correct any errors, I’m going to post a second part to the list entitled “The Best Of The Forgotten” a couple of weeks from now, so if you have any suggestions/recommendations of music which I’ve overlooked, feel free to leave a comment!

So without further ado, here are my favorite albums of 2010 which I remembered. Oh and one more thing, if you just want a bulleted list without the descriptions, scroll down to the very bottom (there is also a .zip file containing all the tracks featured). OK NOW, LET’S DO THIS:

Stalker // mp3s

This year’s recipient of the Scott Walker award — given annually to a far out-there yet interestingly enjoyable album — is not even an album at all, but more of a collection of molasses-paced mp3s by Chicago innovator Stalker. Signed to fellow forward-thinkers Tri Angle Records, Stalker’s modus operandi is chopping & screwing further than what most people like to chop & screw a track, pushing radio-friendly hits (Lindsey Lohan and These New Puritans have both been slow-moed) to uncomfortable boundaries.
Stalker // Final_1

Joanna Newsom // Have One on Me

I don’t know if it was unintentional or maybe a slight to the inevitable critics complaint that Have One on Me is a bit long-winded, but I absolutely loved how Ms. Newsom opens up her latest opus with a track entitled “Easy” – something that, for the listener, this album is definitely not. For those who still can’t get past the uniqueness of Newsom’s voice or choice of instrumentation (aka “the haters”), the 3xLP is three-times as grating, but for the lucky ones, we get two plus hours of sweetly melodic, musically intricate, and always lovely hit-after-hit.
Joanna Newsom // In California

Salad Fork // A Mixtape for Haiti

Probably more so than any other year, I’ve fallen prey to the ever expanding collections of mixtape compilations that circulate the web at roughly 3.00*10^8 m/s. In an effort to not overpopulate this list with these e-gems, I narrowed it down to a single one: Salad Fork’s Mixtape for Haiti. Although the cause was enough for a donation (relief for earthquake victims in Haiti), the album itself boasts one of the nicest blends of tracks that can fit on an artfully decorated two-sided cassette. Well done Lou!
Weekend // All-American

Woods // At Echo Lake

Like most, I was incredibly amped when Brooklyn based psych-folk outfit Woods released “Suffering Season” a mere days before At Echo Lake was scheduled to drop, instantly making it one of my most anticipated albums of the year. Unfortunately, these incredibly high expectations were ultimately too much to overcome (and placing below the number 15 ranking Songs of Shame garnered last year), but regardless, we’re left with a collection of ten well-composed palatable tracks that I’ll always like to listen to on rainy days.
Woods // Death Rattles

Pocahaunted // Make It Real

At the beginning of the year, I wouldn’t have dared put money that Bethany Costentino (aka Best Coast) would have found herself below the band she had jilted. Where Costentino went “safe” with her boy-crazy debut LP, Pocahaunted vaulted deeper into the freak-out/you-don’t-know-what-the-fuck-is-about-to-happen realm (something I was hoping a little bit more of from Woods), creating one of their best efforts to date.
Pocahaunted // UFO

Casiokids // Topp stemning på lokal bar

It’s been no secret that I’ve been following this fun-loving Norwegian electro-pop group since pretty much its I N C E P T I O N, championing anything and everything that the band has released in the past three years. After much waiting, we finally find ourselves with the debut from this collection of kids-at-heart that’s perfect for any afternoon play dates in the sandbox. As an added bonus, the remix album (featuring reimaginations of Casiokids’ songs from Familjen and Captain Credible among others) paired with the release is just as good!
Casiokids // Verdens største land

Cloud Nothings // Turning On

2010 seemed to be a year where up-and-comers overshadowed indie rock stalwarts, and Cleveland’s Cloud Nothings is one of the best examples of this. Turning On is chiefly a collection of the guitar-centric, fuzzed-out mp3 and 7’’ releases that Dylan Baldi had made through the latter parts of 2009 and early 2010 and was a staple on both my turntable and my car’s stereo.
Cloud Nothings // Hey Cool Kid

Flying Lotus // Cosmogramma

A schizophrenic assault on the ears, Fly Lo’s latest is a complicated assortment of sounds and layers that, although not as digestible as Los Angeles, shows when it comes to music producing no one is as experimental as him.
Flying Lotus // Computer Face / Pure Being

Gobble Gobble // mp3s

In a year that was deep with exciting new acts, there was nothing this year – or any year, in fact – quite like the spastic musical outpourings of the gang that call themselves Gobble Gobble. Whether it was taking a hyperactive spin to a classic favorites (The Pixies “Where Is My Mind”) or reinventions of other emerging groups (Diamond Rings, Cloud Nothings, DOM, etc…) or their very own dance-party-in-a-track concoctions, one thing is for certain with Gobble Gobble: you’re guaranteed to have a good time listening to every track!
Gobble Gobble // End of Days

Liars // Sisterworld

Got to admit, I was a bit disappointed with how Sisterworld turned out. I was hoping for a mind-altering musical experience when the needle struck the vinyl for the first time, and what I got was another album cut in almost the same weird-rock mold as its two predecessors. Although not meeting my expectations, I still thoroughly enjoyed Sisterworld. I guess if it ain’t broke don’t fix it, eh?
Liars // Proud Evolution

Crystal Castles // Crystal Castles

Not to be confused with the S/T which wound up near the top of my ’08 list, the sophomore release by the Canadian 8-bit/electro-er…-something duo was not an instant grab like its predecessor. In fact, I was going to omit it from the list completely if it wasn’t for Jheri from Get Off the Coast campaigning for a relisten! The album’s second chance came in the form of blasting it out on some high quality home stereo equipment (a method which made Sleigh Bell’s “Treats” passable for an album), and needless to say the dance-worthy tracks appeared less flat and more energetic than I remembered while the ballads remained just as potent as ever.
Crystal Castles // Vietnam

Toro y Moi // Causers of This

Another album that was a slow grower for me, I really didn’t get a complete impression of Chaz Bundwick & Co. until after I saw them live this past autumn. Too high-brow to be considered glo-fi (or whatever the nom du jour is) yet still capturing the nostalgic feeling as his contemporaries, Toro y Moi fulfills a niche that the myriad of imitators somehow missed. And did I mention his live show is awesome?!?
Toro y Moi // Causers Of This

Twin Sister // Color Your Life

I’ve had a Twin Sister post in my queue for about seven months now which I revisit often, never quite putting to words the impression this NYC band makes on me. I’ve tried and tried rewriting it countless times but somehow it’s always deficient and incomplete. So I’ll just throw up my hands and tell you you should download this album (if you are one of the two people who haven’t done that already) and get lost in their pleasant pop sounds.
Twin Sister // All Around and a Way We Go

White Denim // Last Day of Summer

Maybe it’s a Texas thing, but I’m always impressed by the recordings of Austin’s White Denim and am constantly surprised by the lack of coverage of them by the blog-o-world. For the past four years, this four-piece has been consistently releasing hit “indie-rock” (I use the term loosely) record after hit record yet they somehow get lost in the shuffle. Whether it’s your first exposure to them or if you’re already a fan, Last Day of Summer is sure to be a great listen.
White Denim // Some Wild Going Outward

jj // K I L L S Mixtape

Let’s be honest, jj’s no.3, also released in 2010, should have been a collection of B-sides to no.2 rather than a fresh LP. Thankfully, the Swedish hip-hop inspired electro-pop duo of Joakim Benon and Elin Kastlander redeemed themselves in the nick of time with the release of this badass mixtape on Christmas Eve. KILLS is a collection of hip-hop samples and rap lyrics (sung sweetly by Elin) amalgamated in quasi-random fashion to surprisingly great results – an end-of-year treat to a solid year of music!
jj // STILL

Harlem // Hippies

My favorite original garage rock release of the year, Harlem’s tracks are more like short stories with their albums bounding them into a nice collection. The group finds the perfect balance between hard-driving melodies and storybook lyrics that captivate you in perfect three-minute chunks. In an album of sixteen tracks, it’s amazing that there is not a throwaway in the bunch.
Harlem // Tila and I

Various Artists // Sahel Sounds

For lovers of “world music” (like chillwave, another moniker I can’t stand), this collection of cell-phone recorded tracks from Sahara Africa is a must-have. Nothing boils my blood more than when people describe African music as nothing more than a novelty listen – pleasant enough, but uninspired. With Sahel Sounds, you get such inventiveness in a dearth of instrumentation (most tracks feature just an acoustic guitar) that it makes you wonder about the state of monochromatic singer/songwriter “coffee shop” music that inundates the Western world.
Abba Ahmedou // Ishumar Guitar

Mountain Man // Made the Harbor

Even before a proper release, the near-a capella sounds of Vermont’s Mountain Man made many Best of 2009 lists (including yours truly). 2010 was a banner year for this all-female folk trio, releasing an EP on Underwater Peoples and an LP on Partisan Records that collected their massively downloaded mp3s of the prior year along with some new gems. Although the recording doesn’t come close to capturing their captivating live performance, it serves as a good representation of the band’s talent.
Mountain Man // Animal Tracks

Oneohtrix Point Never // Returnal

One would be crazy to think that you represent the complex synth sounds of Daniel Lopatin in a few sentences without the aid of psychotropic drugs, so I won’t even try…
Oneohtrix Point Never // Stress Waves

Explode Into Colors // Quilts

Similar to Mountain Man’s full-length, this “LP” by Portland garage rock band Explode Into Colors is more of a collection of their already released works (three sold-out 7’’s) than a new record. Regardless, for the uninitiated Quilts serves as a good introduction (or I guess conclusion since the band is now-defunct) to the wild bass/drum-dominated tracks this trio of women seem to effortlessly produce.
Explode Into Colors // Coffins

ceo // White Magic

You will not find a bigger lover of Swedish music than myself. It’s impossible. Whether it’s coming from Stockholm, Malmö, or Göteborg (arguably the epicenter) it doesn’t matter. If it has umlauts, some crazy vowel/consonant combination, or a feeling of icy ethereal to the music, I’m bound to love it. I’m constantly amazed by the impact this Scandinavian country of a paltry nine-million people have on music these days. Case in point, the electro-pop dance-tunes of ceo. The only complaint I have about the album is it’s short duration – twenty-eight minutes is enough to whet, but not satiate, my appetite for the inventive tracks of Eric Berglund.
ceo // White Magic

Glasser // Ring

Can we all agree that True Panther has been knocking every release out of the park? Ah man, just thinking about this album gives me the shivers: the combination of Cameron Mesirow’s angelic voice sung over sparsely laid instrumentation is a power to behold. I always love albums/songs which seem deceptively simple but when you start attentively listening to elements you find that they are overwhelming intricate, and Ring is one of the best examples of this this year.
Glasser // Apply

Pantha du Prince // Black Noise

When I first heard this album through the incredibly inadequate speakers on my laptop, I was like “meh”, but when I blasted from a more proper sound system I was like “Whole.Lee.Shit.” A lot has been made about Pantha’s dominance when it comes to composing bass lines, but I found myself gripped more from the oddball percussive elements he sprinkles and spatters across a track much like paint on a Pollock canvas. An amazing composition and no doubt one-step forward for electronic music.
Pantha du Prince // Abglanz

RxRy // Omega

Speaking of steps forward for electronic music, this year was fortunate to house the breakout albums (yes, plural) of semi-anonymous producer RxRy. Where most ambient electronic music is snooze-worthy, RxRy found a way to not only keep you interested in the music but also perk up your childhood imagination a little bit. When listening to Omega (the third of three LPs released this year by RxRy) you can’t help but envision a slew of fantasy micro-climates (lush rainforest, coastal crags, unending bodies of turbulent water, etc…) making it all the more enjoyable getting lost in the sound.
RxRy // Aertgo Lapsees

Memoryhouse // mp3s

Although releasing a couple of 7’’s, we unfortunately were not graced with a full length by bedroom-pop extraordinaires Memoryhouse. I don’t care, I’m including them on the list – and high up on it — anyways. I probably played every single mp3 of Evan Abeele and Denise Nouvion a hundred times, that’s how easily I drifted away alongside their sweet melodies and comforting vocals. One of my favorite emerging artists of this past year and I can’t wait for what 2011 has in store for them!
Memoryhouse // To the Lighthouse

Robyn // Body Talk

Team Sweden strikes again! If I had to describe to some alien what pop music is, I would probably slap Robyn’s Body Talk onto the turntable and give them a listen. To me, Robyn is the essence of pop and it’s unfortunate (or maybe, more appropriately, unjust) that it’s the Britney Spears of the world selling out arenas from Indonesia to Arizona rather than her.
Robyn // Hang With Me

Lower Dens // Twin-Hand Movement

Probably one of the few bands on this list that I can see both myself and a young adult version of parents listening to. Although distorted at times, Twin-Hand Movement is mostly a smooth enjoyable listen that’s fairly easy on the ears. The album is nothing particularly revolutionary but rather it’s just a great uncomplicated record done extremely well — something you don’t get too often nowadays.
Lower Dens // Completely Golden

Rraaiillss // 1098

I feel like Rraaiillss is The Sandwitches of 2010: a group (or in this case an individual) who makes unbelievably high quality music yet surprisingly doesn’t garner a shred of coverage. 1098 is an incredibly solid album that blazes through genres as diverse as shoegaze to bedroom-pop, leaving in its smoldering remnants a stunned and amazed listener whose only response is to hit replay. Equally unbelievable is the fact that the music – from drums, guitar, vocals, electronics – is produced solely by one person, Adam Anderson, who also somehow finds time to do some electronic stuff on the side.
Rraaiillss // Red String

Big Boi // Sir Lucious Left Foot

Although the masses might disagree, any diehard music fan would probably concede that Big Boi is the heart and soul of Outkast, with Andre 3000 providing the funk and funky. With Sir Lucious Left Foot, Big Boi showcases what he does best, writing fast-paced, complex rhymes over head-banging big-band beats which you can bump even in a 1996 Corolla. In a Lil Wayne-less year of music, Big Boi’s rapping provided a suitable replacement.
Big Boi (ft. Gucci Mane) // Shine Blockas

Kanye West // My Beautiful Dark Twisted Fantasy

Of the stacks and stacks of positive reviews and effusing articles discussing the new Kanye album, the statement that stuck with me the most was from The New Yorker music critic Sasha Frere-Jones: “Good luck figuring out what kind of music this is, though it does contain rapping.” And that’s exactly why I love this album so much – it pushes the boundary in a genre that seems to have become overwhelmingly stagnant the past half decade. If anything, West deserves a gold medal for finally scrapping the most annoying thing about rap albums: skit interludes.
Kanye West // Power

How to Dress Well // Love Remains

I found myself coming back to this album by How to Dress Well more and more as the year ended. Maybe it’s the Bon Iver-esque falsetto vocals offset not by acoustic guitar but rather ambient R&B beats or the complexity in simplicity mantra (much like Glasser’s Ring), but whatever it is, I found myself absolutely loving this album when winter rolled around. Who knows, maybe if it was released a few months sooner it would have snuck into the top spot!
How to Dress Well // You Won’t Need Me Where I’m Goin’

The Knife In Collaboration with Mt. Sims and Planningtorock // Tomorrow, In A Year

No doubt the most cerebral of albums I listened to this year, this score for a Charles Darwin inspired opera composed by the Swedish electronic duo The Knife twisted and warped the concept of evolution in highly imaginative ways. Although their distinct pitch-shifted vocals are noticeably absent (except on the well-received track “Colouring of Pigeons” which features the singing of Karin Dreijer Andersson), the composition itself is a 22nd century incarnation of The Knife’s sharp synths and unusual sounding melodies. Tomorrow, In A Year is certainly not for the casual listener, but for the people who take the time to attentively listen and deconstruct the album, it’s a worthwhile treat.
The Knife // Colouring of Pigeons

Deerhunter // Halcyon Digest

What more can you say about Bradford Cox that hasn’t already been said? With a Ryan Adams-like proficiency – and more critically acclaimed to boot – the guy churns out high-quality albums like its second nature to him. Halcyon Digest is the latest in his dense discography (well, at the time of printing Halcyon Digest seems to have been replaced by a hefty FOUR albums Cox recorded in his bedroom that was released at the end of the year) and is one of his best. 60s pop-rock inspired, Cox shows that he knows a thing or two about how to string together simple melodies with sing-song songwriting to produce automatic hits.
Deerhunter // Desire Lines

James Blake // CMYK

Hands down, my favorite album(s) (CMYK is one of three EPs released in ’10) from an up-and-coming artist this year came by way of twenty-two year old British producer James Blake. Although dubstep and ambient are no doubt influences, I’m not quite sure you can conveniently pigeonhole Mr. Blake’s compositions into a nice little well-packaged genre. As you’ve seen from many of the prior Best Of picks, this lack of categorization seems to be desirable not only from my perspective but also from more influential music lovers (it’s only a matter of time before “ungenre” becomes a genre). The combination of the age and the music makes me so excited to see what Blake has in store for us with his February scheduled debut LP release.
James Blake // CMYK

Beach House // Teen Dream

Hands down, the most listened to and most loved album of the year for me (and it seems for a lot of other people as well). I was a little late to jump on the Beach House bandwagon — in ’08 I famously declared to many that I just didn’t “get it”— but Teen Dream helped bridged the gap in my lack of understanding. Like most, I’ve helplessly fallen head over heels for the sweet crooning of Victoria Legrand and the delicate melodies composed by her keyboard playing and Alex Scally’s guitar plucking. In a year that saw so much complex and boundary-pushing music, it was always refreshing knowing that I had Beach House’s simple, yet beautifully constructed tracks to cleanse the palate when all was said and done. A great album that tops a great year in music!
Beach House // 10 Mile Stereo

You can download all the tracks featured in this list from the two .zip files here and here. I recommend sorting via “Date Created” to get the tracks in order. Here’s a recap of my Top 35 Albums of 2010:

1: Beach House // Teen Dream
2: James Blake // CMYK
3: Deerhunter // Halcyon Digest
4: The Knife // Tomorrow, In a Year
5: How to Dress Well // Love Remains
6; Kanye West // My Beautiful Dark Twisted Fantasy
7: Big Boi // Sir Lucious Left Foot…
8: Rraaiillss // 1098
9: Lower Dens // Twin-Hand Movement
10: Robyn // Body Talk
11: Memoryhouse // mp3s
12: RxRy // Omega
13: Pantha du Prince // Black Noise
14: Glasser // Ring
15: ceo // White Magic
16: Explode Into Colors // Quilts
17: Oneohtrix Point Never // Returnal
18: Mountain Man // Made the Harbor
19: Various Artists // Sahel Sounds
20: Harlem // Hippies
21: jj // KILLS
22: White Denim // Last Day of Summer
23: Twin Sister // Color Your Life
24: Toro y Moi // Causers Of This
25: Crystal Castles // Crystal Castles
26: Liars // Sisterworld
27: Gobble Gobble // mp3s
28: Flying Lotus // Cosmogramma
29: Cloud Nothings // Turning On
30: Casiokids // Topp Stemning På Lokal Bar
31: Pocahaunted // Make It Real
32: Woods // At Echo Lake
33: Salad Fork // Mixtape for Haiti
34: Joanna Newsom // Have One On Me
35: Stalker // mp3s

I’ve long been a fan of the sweet a cappella tunes of the Vermont trio Mountain Man, and this video, recorded by Vincent Galgano in NYC, just reaffirms my love for the group:

Jimmy over at the great tumblr blog Head Underwater recently unearthed this killer video for Marissa Nadler’s “Thinking Of You” from two years ago. Amazing!

Speaking of amazing music vids, check this one for His Clancyness’s latest single “Summer Majestic”, as first premiered on Delicious Scopitone:

I always love the ingenuity of creative music listeners and the stuff they’re able to come up with. Take this weather channel heavy fan vid for Ariel Pink’s track “Reminiscences” for example:

Another cool archival video snipped together, this time for Baths’ track “Maximalist” [via: yvynyl]

Lastly, here is a great stripped-down version of the Norwegian electro-pop group Casiokids performing in Austria, recorded by the folks over at They Shoot Music:

I’ve been a big fan of the Norwegian electro-pop group Casiokids since I caught them live during one of the warm-up days at the 2008 Roskilde Festival in Denmark. Half art show, half dance party, this Bergen-based band certainly knows how to have a great time while on stage. After catching all of their thirty minute set, I said at the time that “the only direction I see them moving is up” — and boy was I right!

After signing to the famed Polyvinyl label a little over a year ago, the band is slated to release their first LP stateside, entitled Topp Stemning På Lokal Bar, and with it comes this potential B-side Stereogum-premiered Prins Thomas remix of their hit “En Vill Hest”. Also for your listening pleasure, I threw in an old Casiokids remix of Lindstrøm’s “The Long Way Home”. Check them both out below:

Casiokids // En Vill Hest (Prins Thomas remix)

Lindstrøm // The Long Way Home (Casiokids remix)

At this time, I thought I would share some of the more popular things about the site over the past year in a nice little “in a nutshell” post.

Most Popular Concert Videos:
1st // Casiokids Live at Roskilde in 2008 (12,772 views)

2nd // New Song from The National (11,458 views)
3rd // MGMT performing “Weekend Wars” Live at Roskilde 2008 (7,719 views)

A bit surprising when I went to check the stats on my flickr page, but the most viewed concert photos by far were some terribly grainy shots I took at a Tegan and Sara show almost two years ago. Most likely due to getting picked up by some fan forum, it’s nevertheless still sad to see some of my better photo sets be dwarfed in comparison. Oh well!

Most popular Concert Photos:
1st // Tegan & Sara Live in Copenhagen (1,267 views)

2nd // Wavves Live in Munich (206 views)

3rd // Neko Case Live in Munich (64 views)

Most Popular Posts:
1st // PT Music’s Top 41 Albums of 2009 (1,526 page views)

2nd // Keyboard Sample Pad (1,322 page views)

3rd // Guest List: Burgers’s Top 30 Songs of 2009 (862 page views)

The next section I have no solid numbers on, but based on page views of track reviews as well as the number of referenced sites, I think I can gauge roughly which mp3s had the most downloads:

Most Popular mp3 Download:
1st // Moonface: Dreamland EP

2nd // Rainbow Bridge: Big Wave Rider

3rd // PT Music’s Laid & Paid Weekend Mix

Well that does it for the concise recap of the past year or so. Here’s to a musically prosperous 2010!!

The first one is an incredible music video from Sierra-Leonean Janka Nabay. He has an upcoming 12” on one of my favorite labels True Panther entitled Babu King. Here’s the video for the excellent and highly publicized track “Eh Congo”:

At this point, I’m starving for any sort of new National material. Although I’m usually current with any latest developments (even filming a new song myself in Copenhagen), somehow I missed this live footage for another unreleased track called “Blood Buzz Ohio” that was filmed back in August:

The next two videos are so amazing that you can’t believe they are fan produced. The first is “When I’m With You” from a track off of Best Coast‘s impossible to get Black Iris 7” while the second is a take on Memoryhouse‘s “Lately”:

“Our Love Was Saved By Spaceman” is the first single off of The Pipettes forthcoming album. Probably due to all the recent lineup changes, their sound has taken a turn from 50s to 70s inspired. Take a listen for yourself:

Finally, the full video of Casiokids‘s brand spanking new track has finally surfaced. I talked a little about the teaser for “En Vill Hest” earlier this week, and the full cut seems to be just as weird as the 15 second snippet:

Saw on their rarely used twitter account that experimental folk band Coquelicot unveiled two new teaser tracks on their myspace page simply titled “1″ and “2″. The “songs” themselves sound more like a wire framework composed of musical bits and pieces stitched together, something akin to jj’s “5 minuter med jj”, but regardless they make me excited to think of what might come with their new stuff.

It’s amazing to think how much this band has accomplished at such a young age. Just starting out college with already two amazing EPs to their credit and new material looming on the horizon, these guys seem to be following the Smith Western’s rulebook on how to get popular before turning 21. Check out the track “I Was Not Hurt” off of their Tree Friend EP, and if you like it you can download the rest of the album for free from their last.fm page:

Coquelicot // I Was Not Hurt

————————————————————————————————-

Speaking of teaser tracks, my favorite Norwegian band Casiokids just posted on their facebook page a 14 second snippet from their music video for “En Vill Hest”, a track off their recent Norwegian-only released single. If the video is to be trusted, the song will be more widely distributed February 15.

I was elated when I heard the news that my favorite Bergen-born act Casiokids was slated to open for the popular electro-pop outfit Hot Chip on their UK dates. By Norwegian standards, I was probably a little late getting on the Casiokids bandwagon, but I think it’s safe to say that I was one of the first Americans to tout how great a band they are after having my mind blown catching their performance at Roskilde Festival ’08.

So far, they’ve made a big splash in Europe after signing to famed label Moshi Moshi, but thusfar their exposure in the US has been kept to a minimal with only a handful of East Coast shows and a couple of SXSW gigs from last year. I really hope that these upcoming UK shows with Hot Chip will springboard them into the stratosphere of blogbuzz, making it easier for them to extensively tour the US. It would be nice to see their wildly creative art-filled show here in the comfort of my hometown rather than having to travel across the Atlantic to the fjords of Norway.

Although not a replacement for their live act, here is an mp3 of one of my favorites “Fot i Hose”:

Casiokids // Fot i Hose

Although the original post is just under a year old, Norwegian electro-pop/art-outfit Casiokids recently brought to my attention a remix they did of Lindstrøm’s “The Long Way Home” with a post on their facebook page. Although abridged from the original 16 minute opus, the Casiokids version doesn’t skimp on quality. The remix eliminates the sharp background bloops & bleeps which are so distinct in the original and morphs the song into a more soulful, funkadelic rendition more ready for the stadium than the club. Take a listen:

Lindstrøm // The Long Way Home (Casiokids Remix)

Lindstrøm // The Long Way Home

Half concert, half art-show, Casiokids stage performance was nothing I’ve ever witnessed in my life – blowing out of the water even the headlining acts at the festival. Giant papier-mâché heads of the band members: check. Brief appearance of a giant fuzzy monster: check. Unparalleled audience participation: double check. They certainly pulled out all the stops on their largest performance to date, converting most casual observers into fans.

But where most acts would mask their lack of musical talent behind a unique stage show, Casiokids have the songs to boot. Equipped with a slew of electronic equipment and live instrumentation (old school Casio keyboards not surprisingly distributed throughout), the band was able to churn out song after song reminding you of the pleasantries of childhood. Sweet passive vocals with an extra touch of softness combined with interjecting airy melodies certainly had me thinking back to the time where everything was much simpler.

However, to imply that Casiokids was just a “sit back, relax, and reminisce” type band is certainly inaccurate. For the entire show I was moving around whether it was to the momentum carried by the buzzed bass line in “Fot i Hose” or the chiming keyboard entry on “Gront Lys i Alle Ledd”, the whole set just seemed so fluid, effortlessly taking me from one song to the next. Before I could really take in the whole concert – POOF – the unnecessarily short thirty minute time slot was over and the band was taking down their gear to roaring chants of a much deserved encore. Alas, the organizers were having nothing to do with altering the schedule, so I must be content with living vicariously through my friends who’ll be able to catch their amazing show in Austin.

Casiokids // Fot i Hose

Casiokids // Gront Lys i Alle Ledd

Casiokids // Verdens Storste Land

A video from their performance I saw:

I think you can tell how much fun everyone is having.