Posts Tagged ‘Bandcamp’

Rems Floating Chandelier // S/T

Saturday, October 8th, 2011

Due to the fact that I received my RxRy LP in the mail the other day, I’ve been in an ambient mood as of late. Perfect timing for the Virginia group Rems Floating Chandelier to shoot me an e-mail announcing their freshly recorded self-titled LP of “ethereal music with use of many different world instruments.”

After listening to the album with a good pair of headphones (highly recommended), you hear that Rems Floating Chandelier’s songs are more than just typical atmospheric music that is good only to serve as background noise for study sessions. Although the album is a bit scattershot at times (the inclusion of the folk track “I’ve Got a Mind” and the Books-like sample mid-stream in “When I’m With You I Feel Strange” are a bit perplexing), the band excels with they stick to their guns and make stellar interstellar pieces. I could listen to the broad swells in “Chemistry” or the chiming guitars and simple bass plucks of “Quantum Masses” all night long while star gazing in the Utah Valley. If this is what Rems Floating Chandelier can put together as their first effort, it makes me excited to listen to what they have in store next!

Check out my two favorites below and head over to the group’s bandcamp page to download the whole album for free:

Rems Floating Chandelier // Chemistry

Rems Floating Chandelier // Quantum Masses

Slow Magic // ▲

Saturday, August 20th, 2011

When I first popped open the e-mail sent by the enigmatic artist known as Slow Magic, I didn’t know what to expect. With an album title like , one can’t help but think this is another B-rated witch house album that the internet seems to churn out on an hourly basis. However, the multilingual description (ranging from Icelandic to Japanese) of:

Slow magic is the sound made by an unknown imaginary friend.

遅い魔法は未知の想像上の友人が作った音です。

Slow galdur er hljóðið gert með því að óþekkt ímyndaða vini.

La magie lente est le bruit fait par un ami inconnu imaginaire.

made me think that this was some sort of an offshoot of a Sincerely Yours artist. However, all is settled when you finally get around to pressing play and slipping into that chillwave-tinged dream-pop trance.

With the likes of acts such as Weeknd and Cults seemingly coming out of nowhere to land on the big stage in a matter of nanoseconds, it’s becoming less and less surprising to be hit with an out-of-left-field e-mail from someone who has producing a high quality, exceptional album. Certainly Slow Magic falls in this category, and the three track geometric-titled EP is ready-made to be slapped on some wax tomorrow and sold through a worldwide distro by Tuesday.

The opener, and arguably the best of the trio of tracks, “Corvette Cassette” makes good use of the light, off-beat arpeggios to lift you up off the couch and float you in the clouds. The distorted vocal sample — which I can’t quite make out the language/lyrics — does a good job of keeping you suspended while the dueling keyboard lines at the two-minute mark push you past the atmosphere and into interstellar space. It’s pretty much everything you could ask for from a quote-unquote chillwave track: breezy, delicate, and surprisingly complex yet easy to listen to. Check out the song below:

Slow Magic // Corvette Cassette

Phantom Power // Cosmosis

Tuesday, November 23rd, 2010

I’ll admit it: I’m a sucker for any sort of math/science scribbles on album artwork. When going through submitted bandcamp page after bandcamp page, if any sort of equation or greek symbol pops up on my screen I’m more inclined to give the group my undivided attention. Case in point, Phantom Power’s doodle for their Cosmosis release (although Stereochemistry is certainly not my forté). Even before clicking on the page, I was super excited about listening to Eric Littmann’s stuff after he got a nod of approval from PT-Music blog favorites Get Off the Coast and Life Aquatic. Got to say, expectations were rather high when I clicked the play button for “Spit It Out”, but Littmann’s bedroom pop tunes certainly delivered.

Laid back, chilled, relaxed (take your pick of lightweight adjective), Phantom Power is perfect for those snowed in Sunday mornings where you want to stay under your warm covers drinking hot cocoa as time seamlessly drifts from AM to PM (coincidentally enough, those are just the type of days we’ve been having in Utah as of late). Sounding at times a lo-fi version of Hot Chip (most notably, on the opener “Spit It Out”) and at other times a 70s psych-tinged group (here’s to you “Extrapolations”), Littmann covers a lot of ground with his twenty-two minute, nine-track album. You can hear my favorite cut from the record below and head over to his bandcamp to download the whole thing:

Phantom Power // Peak Experience

Mutual Benefit // Spider Heaven|Drifting EP

Tuesday, November 9th, 2010

Due to my real-world job being fairly time consuming, I do a “cleansing of the inbox” about once every month nowadays, rescuing a handful of tracks from the archive-abyss. During this month’s gleaning, I came across this pair of tracks from Ohio’s bedroom-pop singer/songwriter Jordan Lee — or better known in music circles as Mutual Benefit.

Lately, I’ve noticed that I’ve been gravitating more towards female singer/songwriters, but Lee’s sweetly sounding vocals and delicate acoustic strumming is just enough to break this cycle. In fact, I’d be willing to say that I haven’t been this much excited about a male solo-driven act since, well, Rraaiillss (and before that, you’d have to back up all the way to Bon Iver).

Lee has a couple of EPs on his bandcamp site for incredibly reasonable prices (skip the Starbucks and buy the mp3s), but I’d go ahead and “splurge” and spend $6 for the cassette containing both his Spider Heaven and Drifting releases. If you need more convincing, check out some of his tracks below and stream the whole thing from bandcamp:

Mutual Benefit // Desert Island Feeling

Mutual Benefit // Here

Puro Instinct // S/T EP

Tuesday, June 29th, 2010

Now on their third appellation, with Pearl Harbor and Pearl Harbour (the British spelling) being the other two, sisters Piper and Skylar Kaplan have just released, via bandcamp, a four track EP under the moniker Puro Instinct. Although the name might be different, the music is still the same: fifteen minutes of fuzzed-out beach bliss that the sisters are known for.

Although lost is the hiss and distortion from the lo-fi recording process that made Calistonia Dreamin’ so endearing (all songs are clearer than “Lost @ Sea” — the most polished track from that album), the S/T EP possesses enough vocal haze to satisfy the early adopters while not straying too far into noise euphoria to turn away “Luv Goon” fans. It’s a great compromise between the two styles and serves as my favorite record the duo has put out to date.

You can stream the entire record at the group’s bandcamp page (or purchase it for a measly $5). Check out the standout track “California Shakedown” — which was originally on their Wish You Were Here CD-R from a while back — below:

Puro Instinct // California Shakedown

Annnnd here’s a video from one of their recent live shows that was just posted on Rawkblog:

Incubator // Chapels

Thursday, June 3rd, 2010

A while back I posted about LA-native Adam Anderson and his “one man fuzz band” Rraaiillss. During my correspondence with him, he sent me word of another drastically different project of his called Incubator. Less fuzz and more melody, Incubator’s two tracks posted on their bandcamp page are certainly going to be more agreeable with the casual music listener, however, that isn’t to imply that they aren’t high quality tunes.

My favorite of the two songs posted is the ecclesiastically inspired “Chapels”. Opening with a 15 second sustained organ chord (eat your heart out Arcade Fire) followed by some flutterings of an electro-flute, right off the bat you know you are in for something different. The song swells to an early climax with the abrupt entrance of a stadium-ready electric guitar and drums before Anderson enters with his softly spoken vocals of “I crash / into…” that quietly steals your attention away from the grandiose soundscapes happening in the background. With most notes being in the half to whole range, “Chapels” shows how simplicity, when layered, can create some beautifully moving phrases.

Check out the track below as well as the more dance-y p4k approved song “Cigarettes”:

Incubator // Chapels

Incubator // Cigarettes

All Saints Day // S/T

Wednesday, June 2nd, 2010

Gorilla vs. Bear broke the news late this afternoon that the self-titled EP from All Saints Day has become available for stream via their bandcamp page — weird that I didn’t see this when I was surfing the site earlier today. Que sera, sera. For those who don’t know, All Saints Day is Kickball Katy from the Vivian Girls (pictured above) and Gregg Foreman from Cat Power (at the keyboard on this photo). A bit more dreamy than anything Katy’s done and a bit more fuzzy than what Gregg’s used to working with alongside Ms. Chan Marshall, the duo falls into the niche of slow-tempo bedroom-noise quite nicely. The metallic-sounding endings at the end of some phrasings due to heavy feedback get to be a bit much at times, but all-in-all All Saints Day’s debut is a pleasant enough listen.

You can check out the opener “It’ll Come Around” below and if you dig it, hit up the stream here. No word yet from the group’s label, the Vivian Girls’ run Wild World Records, on the physical release date.

All Saints Day // It’ll Come Around

Rraaiillss // Demos

Monday, May 10th, 2010

Because I “run” this site in my spare time, I check band submissions irregularly at best. So for all the bands that have e-mailed me demos and such, I owe you one big apologize. However, every now and then I take an afternoon to work through my inbox, finding a handful of gems that not only catch my attention but make me a newly converted fan. Case in point: Adam Anderson, LA’s one-man fuzz “band” that goes by the name of Rraaiillss.

It seems like Anderson has the same problem of regular upkeep as I do, as it takes a round-about route to find an mp3 of his (myspace -> website -> bandcamp), but for these tunes, it’s worth the extra effort to seek them out. Although fuzzed-out pop acts seem to be a dime-a-dozen nowadays, Rraaiillss’s tunes are easily the crème de la crème of the genre, mixing equal parts distortion and catchiness that are sure to please a variety of listeners. With each track, Anderson produces well-thought out and intelligent pieces, contrary to what one would expect from the moniker “lo-fi” (casually constructed / hastily recorded). Sure, the static and reverb are prevalent, but one feels that it’s more out of the necessity for inexpensive recording rather than trying to fit a particular style. Backing up this claim is the track “SPF85″ which is unabashedly an 80s pop song, reminiscent of The Cure’s “I’ll Stop the World and Melt With You”, with no modern frills attached. Ultimately, with or without the fuzz Anderson is making some of the best music I’ve heard in a while!

You can download four of Rraaiillss’s demos from his bandcamp page or if you want just a sample, check out the two tracks below:

Rraaiillss // Red String

Rraaiillss // A Peeling