Posts Tagged ‘59:1’

Jay Reatard // Munich // March 23, 2009

Monday, March 23rd, 2009


When it comes choosing the “best of” garage rock, Jay Reatard should be at the top of any respectable list. His music is like an assault on tempo – regularly going over the 100 beats-per-minute mark, his live set is relentless going continuous for forty-five minutes to an hour without coming up for air once, and his personality can best described as “keeping it real”. I was fortunate enough to catch a recent show of his at 59:1 in Munich, Germany.

Opening for the night was Munich’s own Mondo Ray which, if you recall from previous shows, proved to be a nice set-up to the Wavves show a while back. Although 59:1 is small, it definitely isn’t as small as the coffee shop sized Kafe Kult where they performed last. This provided a not-so welcoming atmosphere for them as the dreaded European force-field extended about ten-feet from the stage providing an awkward buffer from the crowd to the band. Regardless of the weird dynamic, Mondo Ray put on a hell of a show with their high energy garage rock/punk that would have fit in nicely with anyone’s SXSW line-up had they been there. Oh yeah, and the drummer is ridiculous, beating out hard-driving tempos and slamming downbeats like there was no tomorrow.

After they left, it was only a couple of minutes before Jay and the crew (bassist Stephen Pope and drummer Billy Hayes) took the stage for a non-stop fifty minute set where even switches between instrumentations were filled with heavy noise guitar providing absolutely no relief. The antithesis of banter-filled bands, Jay Reatard only spoke (or more like shouted) the names of each track prior to playing them. And play them did he ever…

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Crystal Antlers // Munich // February 9, 2009

Wednesday, February 11th, 2009


A lot of emphasis has been placed recently on the emergence of noise rock/punk bands. Mostly hailing from the West Coast, acts like No Age, Mika Miko, and HEALTH have rejuvenated a long line of distortion-happy groups stemming from the shoegazers of the late 80s and early 90s. Although it seems like every other new act these days aim to destroy melodies with raucous guitar in the hopes of being labeled the “most noisy”, Long Beach natives Crystal Antlers flip it around and produce some well thought out music that is on the brink of being more psychedelic than punk.

Pretty much every noise band that I’ve witnessed always seems to put on an energetic show representative of their music taste. Crystal Antlers were no exception to this – demolishing even my substantial expectations with every track. Although the crowd was of a meager size (saying there was 20 people there was probably generous), they were still able to put on a great set that gave me more enjoyment than the riot-like atmosphere of the Black Lips just a couple of nights before. Graced with an allotment of new music from a recording session prior to their European tour, there was no doubt that the band has been enjoying playing something other than the six tracks off their EP. One of the highlights in fact was a “never performed live” song off of their about-to-be-released LP Tentacles which had a four minute guitar interlude reminiscent of My Bloody Valentine’s patented thrashing. If the rest of the album is like that, it will be one of the most talked about albums of the year.
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Black Lips // Munich, Germany // February 5, 2009

Friday, February 6th, 2009


Odds are if you’ve heard about Black Lips it’s most likely due to seeing one of their crazy live shows are talking to someone who has. Stage diving, nudity, urinating and countless other acts done for “shock value” can be expected at a typical Lips set. Although they’ve claimed that they have cut down on their on-stage shenanigans, their recent stint in India where they subsequently got banned from the sub-continent after their second gig (the final slot in an Indian Metal “Battle of the Bands”) proves that their new-found “maturity” seems to be intermittent at best.

After the dust settled, the Black Lips caught a plane to Germany to record an EP with fellow, and equally volatile, King Khan before heading out on a European tour, sans Khan. Needless to say after hearing the news from Asia, I was amped to be able to see their act in person at a small venue in Munich. After an energetic but overall flat opener HARA-KEE-REES, the crowd braced for the main event by compacting themselves close to the stage. This was probably the most excited I’ve seen a European audience since my arrival a year ago.
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