Archive for the ‘Concert Reviews’ Category

Did You Miss Me? Pt. II

Wednesday, November 18th, 2009

Picking up where I left off from my previous post, in June I was fortunate enough to visit the musical center of the south: Austin, Texas. Although I was in town on some other matter, I was able to sneak out and watch Sunset Rubdown tear down the house at Mohawk. I won’t gush too much about the greatest band on the planet, but let’s just say seeing them play tracks off of Dragonslayer, especially their perfect performances of “Idiot Heart” and “You Go On Ahead (Trumpet Trumpet II)”, was one of the most awe-inspiring things I have ever experienced. On a side note, lead singer and all around bad ass Spencer Krug mentioned the performance to Pitchfork.

July sneakily crept on me and before I knew it I was celebrating my Jack Bauer Birthday (24) with Rhode Island alt-country act Deer Tick and LA barnstormers Dawes. Knowing nothing about Dawes, I was pleasantly surprised with their act. Lead singer Taylor Goldsmith confidently spit out vocals throughout, climaxing when Deer Tick’s frontman John McCauley joined him onstage for a powerful rendition of their song “When My Time Comes”. When it came time for McCauley to shine with his group, I have to admit the performance was rather lackluster. Although all the classic songs were played and they performed past their allotted hour and a half time slot, I got the impression that they shipped in their set from the get-go. Fortunately, listened to Dawes in my car on the way home got the sour taste out of my mouth.

Unexpectedly, later in the month when I visited my friend at Penn State, I noticed that Deer Tick and Dawes were performing in Montreal. After exhausting everything to do in State College, PA (which was pretty easy to do in the small college town), we decided to road trip it up to Canada for the weekend. Again, Dawes kicked ass with their performance and Deer Tick sort-of floundered throughout (McCauley cut this performance short because of a sore throat).

Once arriving back into Lubbock via Pennsylvania, I had three days of relaxing before jet setting again; this time to Portland, Oregon. Although I was there to scout out an apartment, I would be lying to you if I said I had no intention to check out the music scene. As fate would have it, I saw a guy in a KTXT T-shirt at one of the bars I was in who just so happened to be the drummer for Thao and The Get Down Stay Downs. He invited me for a non-publicized “secret gig” at the newly christened venue The Woods later that evening. Needless to say, I took him up on the offer and was completely taken aback by the whole show.

Opening was Portland’s own Horse Feathers, which is essentially a more delicate version of Iron & Wine. Lead singer Justin Ringle captivated the crowd so much that you could literally hear a pin drop. Saying it was an intimate setting would be an understatement. The quiet atmosphere was unbecoming to Thao, leading her to plead to the audience to stand up and “come and dance with us”. By the time she busted out “Bag of Hammers” for her second song, everyone shed their cautious skin and started to at least do the “indie-sway”. All-in-all it was a great performance that had the one-of-a-kind Portland feel to it.

That concludes the second part of my catching-up series. Here are some mp3s from the mentioned acts:

Sunset Rubdown // Nightingale/December Song

Dawes // When My Time Comes

Deer Tick // Dirty Dishes

Horse Feathers // Hardwood Pews

Thao and The Get Down Stay Downs // Big Kid Table (Daytrotter Session)

Did You Miss Me?

Tuesday, November 17th, 2009

So after ping-ponging between two continents, I’ve finally settled down in my new hometown of Portland — one of the self-described indie-Meccas of the US. So instead of draggin’ out the “what I did over summer vacation” by filing a steady stream of posts that could easily be carried into the next decade, I decided to assemble most of the live shows I witnessed (and recorded) into a condensed three-part article. So without further ado, let’s pick up where I left off:

I was fully expecting the Antony & The Johnsons to be my final European concert, however, I noticed that Swedish indie-pop act Love Is All was playing in the basement of a bar with a known capacity of about fifty. Although this was two days before I left by train to Denmark and I needed to pack up all my shit, I decided this was too good of an event to pass up.

For a crowd of twenty die-hard fans, you really couldn’t have asked for a better show. Love Is All brought their patented high-energy act, tearing through their sophomore album A Hundred Things Keep Me Up At Night in its entirety while still sprinkling in highlights from their critically acclaimed debut Nine Times The Same Song (playing not one, but TWO renditions of “Make Out Fall Out Make Up”). Not only was the music stellar, but the band was one of the most cordial of any I have ever met. Where most up-and-coming buzz-worthy bands would scoff at such a paltry showing of support, Love Is All embraced the intimacy and put on a one-of-a-kind show.

Once arriving back to Lubbock, Texas after a brief stint in Denmark defending my thesis, I didn’t have much break since experimental Baltimore act Ponytail and SoCal garage rockers Mika Miko were set to play on different occassions within my first eight days on American soil. Opening for both acts were local acid-rockers The Numerators.

Being how I witnessed the Numerators in their infancy right before I left to go to Europe, I must say I was impressed at how much their live act has improved. Sonically, the noise is “cleaner” and more directed than anything they’ve recorded and with their constant motion moving around the stage and into the crowd, they are by far one of the most entertaining acts I’ve seen. I can’t wait until they release an LP and start touring seriously because I think they have a bright future ahead of them.

As for the main headliners, both Ponytail and Mika Miko did not disappoint. Both had energetic vocalists, blistering your ears with their shouts and screams disguised as “singing”, however Ponytail’s Molly Siegel took the cake by contorting her face into indescribable positions in order to get just the right sound out. As expected, it didn’t take long before a small (but destructive) mosh started and people were hanging from the rafters.

Molly Siegel of Ponytail

Molly Siegel of Ponytail

Jenna Thornhill of Mika Miko

Jenna Thornhill of Mika Miko

As for Mika Miko it was great to witness their raucous “don’t give a fuck attitude” that they seem to exhibit at every show they put on. With an endless supply of sub-three minute songs to rush through, Mika Miko easy packed more music into their 50 minute set than most headlining groups do in two hours. Unfortuantely, the group decided to disband earlier this month, so I won’t be able to witness the hurricane of sound from them ever again…

Well this is the end of the first part of my glorious return, tomorrow I’ll cover some more acts I caught over the summer in Lubbock as well as in Montreal and Portland. To tide you over, here are some mp3s from the mentioned acts:

Love Is All // New Beginnings

The Numerators // Strawberry Dreams

Ponytail // Beg Waves

Mika Miko // Turkey Sandwich

Antony & The Johnsons // Munich // April 26, 2009

Monday, April 27th, 2009

So my European concert binge is finally coming to a close and I couldn’t think of a better ending than seeing Antony & The Johnsons performing for a massive crowd inside a circus tent. I shit you not. It was one of the most bizarre and surreal combination of artist and a venue I have ever seen — prompting Antony to quip “I expect a trapeze artist to come down from the ceiling at any moment.” Needless to say, the twenty minute “dance” introduction only heighten the absurdity the situation. However, when Antony took the stage, nothing else really mattered as I, like everyone in the audience, became hypnotized by his fluttering vocals.

Once my thesis gets turned in on Friday (YAY!), I’ll be sure to do a complete write-up of the show. Highlights had to be the new song “Hope Mountain” about Jesus’s return as a women to save humanity stuck on a mountain after a Noah-esque deluge.

Antony & The Johnsons // Her Eyes Are Underneath the Ground

Handsome Furs // Munich // April 18, 2009

Monday, April 20th, 2009

Sorry for the brevity as I am about knee deep in thesis writing write now, but I really wanted to pass this one along.

I caught the Handsome Furs show live in Munich the other night, and man was it a great! Chock full of high energy songs for the main set (bookended by the exceptional “Legal Tender” and “Radio Kaliningrad” off of their newly released LP Face Control), they slowed it down a lot for the encore, closing with “Dead + Rural” and this new piece called “Apathy”.

As always, I have the pictures I took posted on my flickr page, so check them out! After May 1, I’ll post a more complete account of the show, I promise…

Oh yeah one more thing, the opener, Dag för Dag, was REALLY amazing. I went head an bought three of their about-to-be-release EPs so I can give them out sometime. You can check them out at their myspace, but I have to say seeing them live solidified my fandom.

EDIT // The video I took got picked up by the good guys down at iguessimfloating!

Jay Reatard // Munich // March 23, 2009

Monday, March 23rd, 2009


When it comes choosing the “best of” garage rock, Jay Reatard should be at the top of any respectable list. His music is like an assault on tempo – regularly going over the 100 beats-per-minute mark, his live set is relentless going continuous for forty-five minutes to an hour without coming up for air once, and his personality can best described as “keeping it real”. I was fortunate enough to catch a recent show of his at 59:1 in Munich, Germany.

Opening for the night was Munich’s own Mondo Ray which, if you recall from previous shows, proved to be a nice set-up to the Wavves show a while back. Although 59:1 is small, it definitely isn’t as small as the coffee shop sized Kafe Kult where they performed last. This provided a not-so welcoming atmosphere for them as the dreaded European force-field extended about ten-feet from the stage providing an awkward buffer from the crowd to the band. Regardless of the weird dynamic, Mondo Ray put on a hell of a show with their high energy garage rock/punk that would have fit in nicely with anyone’s SXSW line-up had they been there. Oh yeah, and the drummer is ridiculous, beating out hard-driving tempos and slamming downbeats like there was no tomorrow.

After they left, it was only a couple of minutes before Jay and the crew (bassist Stephen Pope and drummer Billy Hayes) took the stage for a non-stop fifty minute set where even switches between instrumentations were filled with heavy noise guitar providing absolutely no relief. The antithesis of banter-filled bands, Jay Reatard only spoke (or more like shouted) the names of each track prior to playing them. And play them did he ever…

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Neko Case // Munich // February 19, 2009

Saturday, February 21st, 2009


In an effort to work the kinks out of her new material live, Neko Case put together a brief European tour before Middle Cyclone drops on March 3. I was fortunate enough to catch an intimate show of theirs (approximately 100 people) put on at the Orangehouse – a venue more known for bringing in obscure metal and hard rock acts than critically acclaimed alt. country groups.

Still reeling from the effects of jet lag, Case & Co. was more laid-back and subdued than taking charge as their new awesome album cover would suggest. Although an inordinate amount of time was spent having to tune after every song (one of my personal pet peeves) which gave way to some of the most bizarre banter I have ever heard, when the band got their act together and actually started to play some music, it was heavenly.

The band opened with one of the Fox Confessor favorites “Maybe Sparrow”. If there was any doubt in my mind that Case couldn’t replicate her singing in a live setting, it was squelched within the first opening bars. I was surprised that after such little warm-up during sound check Case was able to belt out album-quality vocals throughout her complete range with not so much as a hint of uneasiness. It was absolutely stunning.
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Wavves // Munich // February 17, 2009

Wednesday, February 18th, 2009


Last night I was able to catch a really good Wavves concert (with a great opening act Mondo Ray) that I wrote about for The Llano Idea. Here is an excerpt you can find in full here:

Instead of trying to recreate the cacophony of sounds associated with every Wavves song, Williams opted instead to sift his live music through a coarse audio strainer, leaving out the harshest of elements to better highlight the more melodic parts. Although noise punk purists would probably scoff at such a move, the clarity in sound made the vocals more distinguishable, allowing fans next to me to utter to each other “so THAT’S what he’s saying!”

There was no dull moment the entire show with Williams filling his 40 minute set with future hit after future hit. With Ulsh’s powerful drumming (especially on the catchy-as-hell opening), “So Bored” was the opposite of malaise – jolting the crowd out of their nonchalant funk. Williams went especially berserk on “No Hope Kids”, excitedly jumping around on stage and shouting used-to-be-truthful lines like “Got no job / Got no money” between pauses from headbanging. Although most of his songs center on high intensity and speedy tempos, Wavves isn’t a one-trick pony. Exhibiting his ability to slow it down, Williams shined vocally on “Weed Demon” – making his “oohs” and “ahhs” sound about ten times creepier live.

You can check out my photos and videos from the Wavves concert and also jam out to some tunes below.

Wavves // So Bored

Wavves // Wavves

Islands // Prague // February 14, 2009

Monday, February 16th, 2009


Who would have thought that of all of the concerts I’ve witnessed in Europe so far, an Islands show in Prague would be the one I would have the most difficulty getting into because of the dreaded word “capacity”? I arrived at the “club”, or more accurately the basement of a college dormitory, a good half hour before Islands took the stage for, surprisingly, an opening act time slot. Already the place was packed enough that their meager coat check room was filled to the brink and standing room only was the norm. Low ceilings and dense cigarette smoke (I guess one of the few EU nations who don’t care about 2nd hand smoke) was a trademark of the venue making me relive all of the horrific news ticker “Dozens Die in Horrific Club Fire” headlines from the past.

All concerns and emergency exits plans were forgotten once Islands took the stage. Playing their patented crisp indie-pop grooves, the band was able to work around their claustrophobic inducing small stage quarters to give the audience a great show. Unfortunately, the crowd didn’t return the favor posing instead to be more nonchalant than excited, something I definitely didn’t expect from such an overflowing group of college kids. Regardless, Islands were able to churn out hit after hit (I’m looking at you “Creeper” and “The Arm”) while keeping the crowd between “arms crossed” and “nodding level” of entertained.
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Crystal Antlers // Munich // February 9, 2009

Wednesday, February 11th, 2009


A lot of emphasis has been placed recently on the emergence of noise rock/punk bands. Mostly hailing from the West Coast, acts like No Age, Mika Miko, and HEALTH have rejuvenated a long line of distortion-happy groups stemming from the shoegazers of the late 80s and early 90s. Although it seems like every other new act these days aim to destroy melodies with raucous guitar in the hopes of being labeled the “most noisy”, Long Beach natives Crystal Antlers flip it around and produce some well thought out music that is on the brink of being more psychedelic than punk.

Pretty much every noise band that I’ve witnessed always seems to put on an energetic show representative of their music taste. Crystal Antlers were no exception to this – demolishing even my substantial expectations with every track. Although the crowd was of a meager size (saying there was 20 people there was probably generous), they were still able to put on a great set that gave me more enjoyment than the riot-like atmosphere of the Black Lips just a couple of nights before. Graced with an allotment of new music from a recording session prior to their European tour, there was no doubt that the band has been enjoying playing something other than the six tracks off their EP. One of the highlights in fact was a “never performed live” song off of their about-to-be-released LP Tentacles which had a four minute guitar interlude reminiscent of My Bloody Valentine’s patented thrashing. If the rest of the album is like that, it will be one of the most talked about albums of the year.
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Black Lips // Munich, Germany // February 5, 2009

Friday, February 6th, 2009


Odds are if you’ve heard about Black Lips it’s most likely due to seeing one of their crazy live shows are talking to someone who has. Stage diving, nudity, urinating and countless other acts done for “shock value” can be expected at a typical Lips set. Although they’ve claimed that they have cut down on their on-stage shenanigans, their recent stint in India where they subsequently got banned from the sub-continent after their second gig (the final slot in an Indian Metal “Battle of the Bands”) proves that their new-found “maturity” seems to be intermittent at best.

After the dust settled, the Black Lips caught a plane to Germany to record an EP with fellow, and equally volatile, King Khan before heading out on a European tour, sans Khan. Needless to say after hearing the news from Asia, I was amped to be able to see their act in person at a small venue in Munich. After an energetic but overall flat opener HARA-KEE-REES, the crowd braced for the main event by compacting themselves close to the stage. This was probably the most excited I’ve seen a European audience since my arrival a year ago.
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