Archive for March, 2010

Salad Fork // Mixtapes for Haiti

Monday, March 22nd, 2010

Couldn’t come up with a better 200th post for PT Music even if I sat all week thinking about it:

Lou down at the amazingly awesome music site Salad Fork just cut the red ribbon on his incredible Mixtapes for Haiti project. We all know the devastation the 7.0 earthquake inflicted on the fragile Caribbean country and, odds are, we all donated the first few weeks after the disaster. Although most media outfits have packed up shop a month or two after the quake once they felt the story had been exhausted, Haitians are still in dire need to not only rebuild their country but to receive much needed supplies for day-to-day survival.

So with this mixtape project it seems that Lou is trying to drum up a second wave of support — and with a killer tracklist, he is giving us a good reason to open up all wallets and pocketbooks and dig deep for a second time. Complete with a blend of solid hits and unreleased material, the cassette features some of the best work from up-and-comers and SXSW show-stoppers. Here is a list of who’s featured on the tape:

  • Memoryhouse
  • Speculator
  • Cloud Nothings
  • RxRy
  • Craft Spells
  • Woodsman
  • Sunnybrook
  • Nate Grace (Pure Ecstasy)
  • Memory Tapes
  • Rene
  • Twin Sister
  • Weekend
  • Mount McKinley
  • Tan Dollar
  • Prince Rama of Ayodhya
  • Ppalm

So yeah, a lot of great music which you can get for as little as $5 (digital download of compilation)! If you splurge and donate $10 or more, then you’ll get both the digital and physical cassette versions as well as “something completely random” thrown into your package. But let’s be honest here, the music is playing second fiddle to the much needed charity support — with all profits going towards Partners in Health: Stand With Haiti. So go without that twelve pack of Pabst for a week or hold off buying that new record and help support this amazing project!

You can check out more info as well as donating directly to the cause from Lou’s kickstarter page.

Memoryhouse // Foreground (Grizzly Bear Cover)

Cloud Nothings // Hey Cool Kid

Idiot Glee // Beko Digital Single

Wednesday, March 17th, 2010

I know I’m sort of late jumping on the bandwagon that is the awesomeness of the Digital Single Label known as Beko, but better late than never. For the uninitiated, Beko’s concept is simple: a free weekly digital single released by a wide range of up-and-coming artists. You know, kind of like iTunes daily free download, only not sucky. Not to mention how amazing each album’s artwork is (they remind me of these TV posters)!

Anyways, their latest installment (and #35 in the series) is from the Lexington-based fanfare-free indie-pop group Idiot Glee. With sweet singing and simple harmonies that fit well into anyone’s morning routine, it’s no wonder that the band has been picked up and tossed around the blog-o-sphere, landing as favorites amongst many of them. In an effort to not divert traffic from Beko, head on over to their site for the free download of Idiot Glee’s “Happy Day” and “Forever Kids” while you can check out some their past hit (and DS approved track) “All Packed Up” below:

Idiot Glee // All Packed Up

SXSW ’10 Preview #5 // Showcases

Wednesday, March 10th, 2010

No doubt, the mind-boggling amount of bands that descend upon Austin for the annual clusterfuck of SXSW is more than enough to overwhelm even the most seasoned music fan. Thankfully, music blogs, magazines, and random celebrity chefs sift through the clutter and put together some tremendous showcases, thus making the job of 6th St. wonderers a lot easier.

However, even with artists and bands divided in this fashion, the number of curated stages is still enough to put your head in a spin. After looking through the myriad of sponsored sets, here are four of my favorites:

My favorite in the bunch, this Gorilla Vs. Bear/Mexican Summer Party is probably the event that everyone will be talking about during the festival. Although my Swedish faves jj dropped off the line-up, the event is still stacked with some of the best up-and-comers out there. I mean, out of the 16 bands playing, who do you not want to see?!?!

Billed as a “girl blogger rock and roll party”, this showcase put on by the female blogging trio Visitation Rites, Pixelhorse, and Microphone Memory Emotion features a wealth of Underwater Peoples signees, which is never a bad thing. Family Portrait: check. Pill Wonder: check. Alex Bleeker & The Freaks: check. Seriously, this alone is enough to warrant attendance! So seeing Twin Sister, Cloud Nothings, Campfires, and all the other bands on the bill certainly feels like icing on the cake.

I’ll be honest, the biggest reason why I dig this Weekly Tape Deck & Co. showcase is because of the amount of Lubbock bands that will be playing. If you go to this, get ready for your minds to be blown by the insane live set by noise-rockers The Numerators, the beautiful soundscapes of La Panza, and the alt-country flair (reminiscent of Whiskeytown) of One Wolf. Lubbockites aside, the three day showcase highlights a great collection of garage and noise artists that will be sure to compliment whatever wat you decide to order!

Last but not least are the guys down at I Guess I’m Floating, who just released their SXSW line-up yesterday — and man is it a doozie! This Friday early show, featuring Tanlines, Javelin, and Small Black/Washed Out, is sure to get you into a dance mood before heading out to the late-night festivities (or debaucheries, depending on your perspective) 6th St. is famous for!

SXSW 2010 is going to be INTENSE!

Baby Birds Don’t Drink Milk // Fort Porkchop

Wednesday, March 10th, 2010

Drew from Baby Birds Don’t Drink Milk just passed along this video for the track “Fort Porkchop”, the opener to their newly released The Puppycat 3” CD EP on German label Edition 59. Hurry and scoop this up quick because, as the label name suggests, there are only 59 copies (all individually numbered) in existence.

Flipping some awe-inspiring nature landscapes on their head by mirroring each setting, the video is quite a conversation starter. For one, every scene looks like a Rorschach inkblot test, so there are certainly some Freudian-tinged sexual interpretations of the reflected mountains, valleys, and streams (or is that just me, and if so, does that mean I love my mother?). As for the track, it’s 5+ minutes of instrumental bliss which, when coupled with the video, makes for an ethereal experience. Well don’t take my word for it, check it out below:

Cudios to George de Moura for making this wonderful video!

Two for Tuesday // Covers Edition II

Tuesday, March 9th, 2010

Came across two cover songs today that are amazingly good and are worthy of some Two for Tuesday coverage. The first is a cover of The Magnetic Fields song “Yeah! Oh Yeah!” by UK chanteuse Tracey Thorn and Swedish oddball singer/songwriter Jens Lekman. It seems like the two are diving head first into a musical relationship, as Jens is slated to be featured on a couple of tracks on Tracey’s upcoming album, while Thorn is returning the favor by writing lyrics about Lekman. Though a lot more melodic that the original 69 Love Songs-featured song, it is quite surprising how similar Tracey/Jens voices are to that of Claudia Gonson and Stephin Merritt.

The second song is an out-of-nowhere cover of Justin Timberlake’s wildly popular hit “My Love” by Portland native White Hinterland (née Casey Dienel). Stripping the overly-produced track of all its bells & whistles, Dienel takes Timberland out of the equation and replaces it with only a minimalist tribal drum beat and her soft, beautiful voice. What a great rendition! And if you like this, be sure to cop White Hinterland’s latest album Kairos from Dead Oceans today!

Tracey Thorn & Jens Lekman // Yeah! Oh Yeah! (Magnetic Fields Cover)

White Hinterland // My Love (Justin Timberlake Cover) [via: Dipped in Dollars]

Woods // I Was Gone 7”

Tuesday, March 9th, 2010

After seeing that order shipments from Woodsist have been delayed until April 1, I got a nice surprise when my I Was Gone 7”, the latest from Brooklyn experimental folk group Woods, came in the mail this past week. Although probably not considered as rare as some of their other albums (an initial pressing of 1500 7”s is the vinyl equivalent of what Dan Brown got for The Lost Symbol), it’s still one of my favorites as it explores what post-Songs of Shame Woods might sound like.

Similar to “Creeps Collage” off of their Woods Family Creeps S/T, the A-side “Days Gone By” is a mix-and-match of track snippets, transitioning from one to another sometimes abruptly, sometimes smoothly. No doubt the mid-section of the song is the preferred part, featuring a soulful guitar line and the delicate falsetto of Jeremy Earl chanting the line “many days gone by”. The B-side is filled with a duo of jamming two-minute tracks. The first of which, entitled “I Was Gone”, is certainly “Eastern inspired”, prominently featuring some sitar-like sounds that mesh well with the psychedelic-tinged tendencies of the band. On the other hand, “Hang On” is one of their patented creepy songs which showcases spidery guitar lines and haunting background moans that no doubt add to the overall sense of uneasiness of the track.

You can check out the mashed together “Days Gone By” below, and, if you like it, cop the record from Midhaven Mailorder for a timely delivery:

Woods // Days Gone By

Girls in the Eighties // Teenage Royalty

Tuesday, March 9th, 2010

Seems that while I was on break, a lot of things happened. But let’s not harp on the past, but rather dive head first into the future with, ironically, a band named Girls in the Eighties.

Now I’m not quite sure how I suddenly had a series of mp3s from this Nashville fuzzed-out group appear in my iTunes library, but thankfully it happened. Evidently, it can happen to you as well, as the band is giving away their debut, entitled Teenage Royalty, FOR FREE from their myspace page (or, for the less stingy, you can send them along $5 for a physical copy). What I like most about Girls in the Eighties’s album is how they somehow manage to mash together noise rock with mainstream pop without any blend occurring whatsoever. Just like water and oil in a bottle – together in the same container yet completely separate and distinguishable — it seems on every song you have a certain catchy-ness that you would find on the Billboard Top 100 while simultaneously blasting your ears with reverb filled vocals and staticy guitar lines. I mean, sure, we’ve heard plenty of roughed-up pop songs to go around this past year, but where The Pains of Being Pure at Hearts of the world work to blend together the elements of the two worlds, Girls in the Eighties are more keen on separation.

No track is a better example of this than their opener “Vacation”. Take away the bullhorn screamed vocals and the warbled looped sample midway through, and what you’re left with is a crystal clear pop-rock track that could be featured on Now That’s What I Call Music 33. It’s like they know that these tracks could be Grey’s Anatomy bound and are intentionally screwing them up with noise, all while giving a collective middle finger to mainstream music companies. Brilliant!

Now certainly, Girls In the Eighties bend both ways across the happy medium they found with “Vacation”. “Teenage Royalty”, for example, is much more muddled with only a discernible melody during the chorus and is frequently clouded with random electro bloops & beeps fluttering every which way. On the other hand, “Yesterday’s Don’t Mean Shit” and “Too Cool For This Crowd” venture too much into your High School Senior Class Song territory, but, fortunately, both are salvaged by their cheeky lyrics. If anything can be said about Teenage Royalty is that it’s a fun listen that’s good for a play pretty much anytime.

Here are a handful of my favorite tracks and, if you want more, just head on over to their myspace to dowload the LP:

Girls in the Eighties // Slow Motion

Girls in the Eighties // Teenage Royalty

Girls in the Eighties // Vacation