Archive for December, 2009

Grooveshark // Streamable Playlists

Sunday, December 20th, 2009

Since Muxtape went defunct last year only to be resurrected in a much more limited capacity, I haven’t been able to find an adequate platform to make streamable playlists (I’ve dabbled a little with some, but to not much success). That is, until now! To better beef-up my analysis of Reddit’s Top Albums of 2009, many people suggested creating a playlist of each band’s hit songs using a website called Grooveshark. Thank god for redditors, because this turned out to be one of the biggest discoveries of the year!

The premise is simple: you search for the song you want to add into your playlist, drag-and-drop it into a folder, and then share the URL of your mix with others! If you can’t find that song you’re looking for on their site, you can add to their massive library by uploading the track (if you happen to have a copy of the audio file). Yep, it’s THAT easy — and did I mention it’s all free?

To show an example, here are ten of my favorite songs which came out of 2009 that I whipped up in less than five minutes on grooveshark:

PT Music // 10 Favorite Songs of ’09

Clipse // Till the Casket Drops

Sunday, December 20th, 2009

This article was reprinted for The Llano Idea.

It seems like Virgina rap duo Gene and Terrance Thornton (otherwise known as Malice and Pusha-T, aka Clipse) revel in releasing their albums in December, purposefully screwing up everyone’s year-end list order after it’s been made. Although their latest effort doesn’t pack the punch as past releases Hell Hath No Fury and Lord Willin’, in a year when rap music was devoid of great albums and people were debating if this was the beginning-of-the-end of hip-hop, their release is probably second only to Raekwon’s epic wordily titled masterpiece Only Built 4 Cuban Linx Pt. II — which, to be honest, is kind of sad.

The album starts off strong with a 1-2-3 combo of “Freedom”, “Popular Demand (Popeyes)”, and the hit single “Kind of Like a Big Deal” (featuring none other than the voice of our generation). The opening track, produced by the popular prolific pair Sean C & LV, features a beat more rock than rap with screeching omnipresent electric guitars over a haunting looped vocal sample of “speak / speak of freedom / sing of amber / waves of grain”. Contrary to the straight-up-street grimy flow we’re used to, Pusha-T makes no qualms of informing us exactly where his inspiration for this change of style on the song came from, exclaiming “let me play the role of a Common / over this beat boy / speaking my truth in rhyme / no matter how bland it is”. However, the laid-back Neptunes beat on “Popular Demand” brings out the old school drug-dealing braggadocio we’re used to (“lining up hoes like dominos”), and even the featuring Killa’ Cam returns to word play form (a la “Gone”) with lines like “I keep it fa’ real with the clips”.

No doubt the album highlight comes in the form of the prematurely released hit first single “Kinda Like a Big Deal”. With a roaring bass drum line clacking around like a street performer’s five gallon plastic mini-barrell, this is a jam that’s meant to be bumped to in an old Caddy that houses an embarrassing amount of sub woofers. Not ones to put to waste a great beat, Clipse destroys the track with some of their sickest rhymes (“It’s a blessing / to blow a hundred thou’ in a recession / with no second guessin’”) and even the sometimes lyrically-lacking West joins in on the pummeling by declaring “Spitting fire on the PJ in my PJs / Fire Marshall said I took it to the max like TJ” (although I’m not so sure I agree with his claim of being “the black Marshall meets Jay”).

Unfortunately, the quality starts going downhill from here. “Showing Up” features a much-too-forced, uninspiring Pusha-T verse (“Seeing through your poker face / That n**** bluffin’ / Ladies going gaga for n**** trying to fuck em” — uh, ok) over one of those cluttered “impending doom” type beats that has as much chime on it as “(Don’t Fear) The Reaper” has cowbell. Continuing the suckiness, “I’m Good” is one of those obligatory hip-hop down tempo “ballad” tracks which is probably the worst song on the album and the trite “n***** die out here for snitching” in “There Was a Murder” is about as played-out a line that you could feature on a hook. And on, and on…

Now one thing this album is never lacking in are amazing quips. You can’t help but smile a little at lines like “cocaine aside / all of the bloggers behooved / my critics finally have a verse of mine to jerk-off to” (Freedom) and “do what I say like Simon / and you too will diamond blind ‘em / I’m on my Dylan” (Footsteps) — a node to the laughable Makin’ da Band reggae singer (I use this term loosely) Dylan “Dylinjah” John. Unfortunately, the lyrically quality (and album) as a whole does not hold-up to the unattainably high expectations generated by their past glories. It’s a shame too because ’09 certainly needed Till the Casket Drops to be as great as its predecessors in order for hip-hop to maintain some sort of mainstream relevancy moving forward into the new decade.

Clipse // Popular Demand (Popeyes)

Clipse // Kind of Like a Big Deal

PT Music Mixxx // Chillaxxx Mixx²

Saturday, December 19th, 2009

So a couple of years ago, my buddy DP made this killer dance mix which went by the appropriate title “DP’s Sex Mix” — yeah, it was that smooth. Although that mix would guarantee to get the party hoppin’, you had to unleash it at just the right time for maximum effect (too early and you run out of material when the party hits full stride, too late and people are worn out before the mix finishes). To solve the problem of premature play, my first mix (no doubt in a series), tackles the pre-party environment — you know, when guests are starting to arrive and you want music geared towards conversation rather than rump-shaking.

You can download the mix, fully entitled “Chillaxxx Mixxx²: da Houf Pre-Sexxx Mixxx” (multiple xxx for emphasis) right here. No doubt there are some weak transitions and I need to crop/fade some endings to songs, but I think every track works as good background music for a get-together of any size. Who knows, the music itself might start up some conversations of its own. Here’s the tracklisting:

1: Warm Heart of Africa // The Very Best (ft. Ezra Koenig)
2: Ecstasy // jj
3: Get ‘Em High // Kanye West (ft. Common) [A-Trak Remix]
4: POP // M.I.A. & Diplo
5: Little Dreamer // Future Islands (ft. Victoria Legrand) [Jones Remix]
6: Norway // Beach House
7: Animals Collecting Money // Animal Collective x Paper Route Gangstaz [Hood Internet Remix]
8: Idioteque // Calico Horse (Radiohead Cover)
9: Tower Grove Joint // Phaseone
10: A New Chance // The Tough Alliance (Tanlines Remix)
11: Imitosis // Andrew Bird (Four Tet Remix)
12: The xx Chicago Girls // Jams Dean
13: Never Content // Air France (Friends Tropic Thunder Edit)
14: One // Yeasayer
15: El Reloj // Jóvenes y Sexys
16: Dangers Not a Stranger // Gucci Mane (Diplo Remix)
17: Freeway // Kurt Vile
18: YGTL // Florence + The Machine (The xx Remix)

Burgers’s Post // Top 30 Songs of 2009

Saturday, December 19th, 2009

Since I’m kind of exhausted of putting together lists, my good friend Burgers (who happens to be one-third of the lo-fi garage band The Numerators) took over the reigns and came up with this baadasssss list of his thirty favorite tracks of the year. After going through it, I have to say I wholeheartedly agree with pretty much everything on here. Chalk-full of great songs ranging from the well known to the more obscure, the list is bound to include some of your favorites as well as a handful of ones you’ve yet to discover. So without further ado, I’ll let him take over:
(more…)

Part-Time Music // Favorite 7-Inches of 2009

Thursday, December 17th, 2009

With the hassle that it takes to listen, rank, order, write-up, and post an “Albums of the Year” list, it’s nice to sit back and relax a bit tackling a considerably lesser challenge: determining favorite 7’’s. Nowadays, with the ability to instantly acquire a colossal music library with only a couple of mouse clicks and a premium rapidshare account (after all, we can’t be bothered with waiting 45 seconds for a download link to “free” music!), it’s nice to purchase something tangible every now and then. For those with not enough money to shell out about $20 for an LP, 7’’s provide the perfect solution for the aspiring music collector. This past year I had a borderline obsession with purchasing these mini-wax works and was able to accumulate an impressive set, rivaling even my bought 12”s in numbers. In an effort to provide me with a slight reprieve in having to constantly judge, the following are just my favorites of the year and are not ordered by preference:
(more…)

Paul’s Post // A Running Commentary on the Top Albums of 2009

Thursday, December 17th, 2009

My friend Paul by no means matches my zeal when it comes to listening/discovering bands and he certainly doesn’t keep track of the day-to-day findings of the musical blogosphere, but he’s also not a Billboard Top-40 drone who listens to only Clearchannel radio (however, I have a nagging suspicion that he enjoys “Party in the USA”, but that could be for other reasons). After I posted my list of Top Albums of 2009, he responded with an epic two-part running commentary (via facebook message) that, regardless if you loved or hated the original list, you will be sure to enjoy. Although he was unfamiliar with most acts, Paul was still able to provide mini-descriptions that were either humorously spot-on or remarkably insightful — all from just the sample song provided with each album! After the jump is the post in its unedited entirety (Note: it picks up steam with Wavves at #30):
(more…)

Part-Time Music // Top 41 Albums of 2009

Wednesday, December 16th, 2009

Well, another December means that it’s time for another year-end list! Without a doubt, 2009 was one of the best year’s for music in a long time. I found myself liking a lot of the 175+ albums I acquired throughout the year, making the ’09 list one of the toughest to compile yet! No doubt there will be some disappointments for most of you (it’s tough to satisfy EVERYONE’s tastes), but I think you’ll find a fair share of albums that you love, some that you recognize but haven’t gotten around to listening to yet, and a good chunk that you’ve never heard of before. Although I was able to listen to a lot of music this year, there are some noticeable albums/artists that I either ran out of time to get through or slipped through the cracks completely (The Avett Brothers, Fanfarlo, Cymbals Eat Guitars, The Very Best, Dinosaur Jr. just to name the most egregious omissions). Sorry folks, I’ll try to do better next year! Why are there 41 albums this year? Well I could lie and say that I wanted to outdo ’08s list in length, but the honest reason is that I accidentally miscounted — whoops!

To start off, here is a list of some of the best music that just missed the cut (in no particular order):

  • Neon Indian — Psychic Chasms
  • Bill Callahan — Sometime I Wish We Were an Eagle
  • St. Vincent — Actor
  • Doom — Born Like This
  • James Blackshaw — The Glass Bead Game
  • The Mountain Goats — The Life of the World to Come
  • Of Montreal — New Year’s Eve 2009 Covers
  • Nomo — Invisible Cities
  • Pearl Harbor — Calistronia Dreamin’
  • Handsome Furs — Face Control

Enough with this lengthy intro, let’s get on with The Top 41 Albums of 2009 (after the jump, of course)! [Note: For the lazies, I've included just a list sans description at the very end of the post along with a grooveshark playlist that is composed of the majority of songs mentioned throughout. Enjoy!]
(more…)

Moonface // Dreamland EP: Marimba and Shit Drums

Wednesday, December 16th, 2009

Got a worthwhile tweet less than an hour ago from label Jagjaguar saying:

“Santa just sent us this website…weird http://www.moonface.ca

Hoping for just a preview of Spencer Krug’s latest solo EP, Dreamland: Marimba and Shit Drums, recorded under the moniker Moonface, I was shocked to find that there was an option to download the entire album Radiohead pay-what-you-want style on the linked site (with a rabid fan base, I think Krug will be able to pull this off as well). Anyways, after you enter in your e-mail address and donation amount, about a minute later a FLAC version of the EP will magically appear in your inbox! I haven’t listened to it yet, but I’ll be sure to post my impressions later today.

Update: The download is one 20+ minute track. I don’t know if this is an indication that there is only one song on the EP or they decided not to divide it up into tracks for the download.. I am about 3 minutes into it all the way done, and I’m in utter amazement that Krug could pull off something like this. The subtitle Marimba and Shit Drums is very appropriate as that’s exactly what’s on this single-song 20+ minute “album”: a lot of marimba and an occasional entrance of trashcan drums. Incredible. I’m at a loss for words.

Since the original website is down, here is an mp3 version of the EP. When it gets back up, be sure to head over there and donate some spare change:
Moonface // Marimba and Shit Drums

Reddit’s Top Albums of 2009 // Detailed Analysis

Monday, December 14th, 2009

There was an interesting social experiment happening at the social news website Reddit yesterday. In an effort to gauge the network’s taste in music, I proposed that each person upvote their favorite album of 2009. If their choice was not listed, they could submit, as a comment, their best-of pick which could then be upvoted by others. To keep the voting civil, the only rule was that you could only downvote selections which were either not released in 2009 or were completely irrelevant. Periodically, I kept count of roughly the top 30 albums and after 24 hours elapsed I finalized the results.

Here are the top 28 albums selected by the /r/Music subreddit:

As a whole, I think the list is pretty good — representing a wide range of genres, a varying degree of commerical successes, and acts all over the critics spectrum. From a rock & roll supergroup (Crooked Vultures) to an experimental explicitive-name duo from England (Fuck Buttons) and almost everything in between, I feel that this is a good consensus of the year in music. Even more impressive I think is the quality of music that’s listed, as there are only a few acts I would describe as “throw away bands”.

So how did we get to this list? I started the poll at roughly 8:00pm PST in hopes to generate an initial buzz from late-night American/Canadian redditors in the hopes that it could be listed on the front page of r/Music by the morning. After about four hours it was the #1 listing on /r/Music where I then proceeded to take down the initial vote tally:

Due to the timing, I think it’s safe to assume that this list corresponds to the tastes of the American and Canada music listener. Notice that even as early as four hours, the top three (Phoenix, Animal Collective, Grizzly Bear) have already begun to separate from the pack. Also, I think the Canadians had a hand in propping up one of their favorites by giving Metric such high early marks. I respect Emily Haines and her musically dense discography (Broken Social Scene, solo with the Soft Skeletons, and of course Metric), but after listening to her latest Fantasies I just can’t justify it being in the top five of anyone’s list. The second fact that I found surprising is that never in my wildest dreams would I expect the oddball hyperactive music of Dan Deacon and the insanely experimental Fuck Buttons to be remotely near the top twenty albums. My initial thoughts were that the reddit crowd would align itself early with uniquely sounding yet relatively safe acts — you know, stuff like Passion Pit, The Decemberists, and Girls (which surprisingly never made a splash) — but to have these acts that would even be described as fringe from the most adept music lover break in to the top 25 this early made me think that this list had to potential to shatter my expectations.

The second count was recorded at 3:00am PST and its purpose was to gauge how the early morning European redditors would alter the landscape. Below are the results, with the heavy movers bolded (black = up, red = down):

As you can see the top six remained more or less in tact. I was surprised to find that almost all the European acts remained pretty much stationary at their positions (maybe this is a testament how geographical boundaries are almost entirely erased nowadays when it comes to music). The one exception to this rule seems to be the Norwegian electro-duo Röyksopp bursting onto the scene. Similar to the Canadians with Metric, I feel like the Scandinavians are responsible for this one (I remember during my time in Denmark how popular Röyksopp was), however I could be reading too much into it.

Lady Gaga began her rightful slide after it was realized that The Fame was released in 2008. Also, this marks the beginning of the end for personal favorites The Avett Brothers and Neko Case. Silversun Pickups also begin the toggle from top-to-bottom while Them Crooked Vultures sneakily slid up higher.

The third count was taken at 1:00pm PST in hopes to wrap up the European redditor votes before the late-afternoon East Coast American rush began.

Here is where Kid Cudi emerges out of nowhere to position himself in the middle of the pack where he ultimately winds up. It seems like all hip-hop acts (Mos Def, Raekwon) congregated near the middle and just couldn’t seem to break free. Also, Neko Case is trying to Hold On, Hold On, representing the last country act in the bunch. Due to nefarious downvoting, polarizing Brit rockers Muse begin their downward slide while Silversun Pickups fell back down to the bottom. Things are beginning to solidify here, with only the last third up for grabs.

The next tally was taken nineteen hours after the poll began, and here things are starting to become stagnant:

The top twelve remain almost identical with the resilient Silversun Pickups rising back up. Even the volatile bottom third of the list seem to have found some semblance of order. At this point, very few votes are further cast and submissions trickle down to almost nothing.

The next picture shows the final tally before the greasemonkey script to eliminate all the downvotes was enabled and the final arrangement was settled upon.

As you can see it is almost 100% the same, with only minor jostling for position. This brings us back to the final result post-Greasemonkey script:

The only thing I want to mention is the number of downvotes recorded so that you can see which is the most hated band. Proportionally speaking, without a doubt that title is held by Muse. When downvotes were included, they dropped completely out of contention; however, with them removed, they spring into the top ten. Secondly, the least downvoted act was the Dark Was the Night Compilation benefiting AIDS research. I wonder who those three cold hearted bastards were who downvoted that…

One note about the tallies: Reddit does have a tendency to vary the up/down votes depending on when exactly you are viewing the page, so the results are final within a certain undetermined margin or error. Also, there was no way I could take into consideration the same person voting for multiple albums. Needless to say, this also introduces some error in generating the list.

Here are some of my final thoughts:

  • I know this has been a down year for country, but come on, not ONE album on the list?! Both Neko Case and Avett Brothers are deserving and I personally liked the sophomore album from The Dutchess and The Duke (which received not even a mention)
  • I heard a lot of people complain about the lack of metal in the list. I am by no means a metal expert or even a consistent metal listener, but I found it odd that Sunn O))) didn’t receive a single vote. I mean they should be in the running just for their crazy live act.
  • I found it mildly surprising that no “glo-fi” acts made a splash in the polls. The only representation was Washed Out and Neon Indian who were late entries, each not receiving more than three votes. Also, there were no mentions of my personal favorites Ducktails and Memory Tapes.
  • I was happy with the placement of my top album Flaming LipsEmbryonic. I’ve seen this album either underrepresented or suspiciously absent from most of the lists out there. I really think that not only should this album be mentioned as best of the year but best of the decade. I’m not even a Lips fan, but, to quote a comment on reddit, “this album makes me want to tear off my clothes and burn the world — in a good way”.
  • My list of disappointed inclusions: Royksopp, Metric, Muse, Kid Cudi, Silversun Pickups, Andrew Bird, Wilco.
  • My list of groups who were ranked too high: Them Crooked Vultures, Passion Pit, The Decemberists
  • I predicted the top three in order, but unfortunately I can’t prove this (you’re going to have to trust me). I figured Phoenix was going to take the crown because it’s catchy as hell, Animal Collective was going to be runner because some people don’t get it, and Grizzly Bear was going to round out the typical top three.

Finally, I created a grooveshark playlist so that you can check out a couple of songs from each group mentioned: http://listen.grooveshark.com/#/playlist/R+Music+Top+Albums+Of+2009/21681630

Well that’s it! If you have any questions or if you notice any trends or if you want to throw in your two cents, feel free to add a comment to this entry! Until next year Reddit!

SXSW 2010 // Round II

Monday, December 14th, 2009

Well the SXSW elves have been busy this holiday season adding another 200 bands to the lineup, thus doubling the slated bill to 400 total. For those of you who missed my take on the initial lineup released a mere two weeks ago, you can get the recap here.

I couldn’t find too many recognizable acts this go around; however, there are a handful that I would consider seeing live. Topping the list is the highly blogged about LA afro-pop group Fool’s Gold — whose shtick includes all lyrics are sung in Hebrew. Not to be confused with Levar Burton‘s second best show, Reading Rainbow is a Philadelphia based duo that can be grouped together in the lo-fi garage punk scene with like minded acts Finally Punk, Vivian Girls, and Wavves. Similarly, That Ghost is the work of California teenager Ryan Schmale that, along with The Smith Westerns and Cymbals Eat Guitars, would make anyone’s top ten underage acts list. Finally, NPR’s love crush and former Grandaddy singer/guitarist Jason Lytle is set to descend upon Austin for the second year in a row.

No doubt, more acts will be listed, so I’ll keep you posted. Here are some mp3s/videos from the acts mentioned above:

Fool’s Gold // Surprise Hotel

Fool’s Gold // Surprise Hotel (Phaseone Remix)

Reading Rainbow // The Sun Is Out

That Ghost // The Red Bow (via)