Archive for November, 2009

Passion Pit // The Reeling (Acoustic)

Wednesday, November 18th, 2009

One of the great sites I stumbled upon while in Europe is Amsterdam Acoustics — showcasing stripped down performances of a variety of acts around the globe. Well after being slow to update for a couple of weeks because they were revamping the website, the guys at Amsterdam Acoustics came back with a bang with this awesome piece by Michael Angelakos from the highly buzzed electro-outfit Passion Pit.




The original song, “The Reeling”, was dancehall ready with Angelakos quasi-falsetto voice fluttering above an assortment of synth lines. However, the acoustic version, played on a simple Wurlitzer in what looks like an greenhouse to an apartment complex, is strikingly ballad-like. Although the intro piano line sounds something like you would hear from any corny jazz club, once Angelakos opens his mouth singing the first line “We dug these holes we crawled into / now they’re my home” you know you are in for something special!

Passion Pit // The Reeling

Did You Miss Me? Pt. III

Wednesday, November 18th, 2009

Closing out this series of catch-up posts, I’ll start with the end of an era with Lubbock favorites The Diamond Center leaving West Texas for the more fertile grounds of Richmond, Virginia. To say an appropriate farewell, a majority of Lubbock acts took part in “Texodus”, an all day free music fest, at the beginning of August. The show was funny at times, emotional at others, but always lively with act-after-act displaying the awesomeness that is the Lubbock music scene. Here’s a pic of La Panza that night:

Following the example of The Diamond Center, I left Lubbock later that month to make way to Portland, where since then I’ve settled down nicely. I’ve seen a handful of shows, but have only been able to document some of them (camera restrictions at venue, poor lighting, etc…). Here’s a brief list:

In mid-September, I also attended Music Fest Northwest (MFNW), Portland’s counter to Austin’s SXSW. Pretty much every hip-and-trendy venue in Portland takes part in this four day fest, with bands ranging from obscure locals to popular international acts filling up bills. The festival’s first set was at Berbati’s Pan courtesy of Okkervil River’s Will Sheff. Here’s a video from the performance:

Highlights from the festival included:

A lull in my concert going happened for most October, but I was able to check out the Danish act Choir of Young Believers. I caught them open for three acts while in Denmark, and then it was just a duo between singer/songwriter Jannis Noya Makrigiannis and cellist Caecilie Trier. Playing with a handful of more musicians, COYB shocked me at how much they have improved over the span of a year. Where once they seemed emotionally detached from their music live, during their Portland performance they were spewing energy and excitement left and right. Sure the sad ballads and whole-note based compositions were there, but they had a different air about them that made the performance much more intriguing.

Well this ends my recap of the past six or so months I’ve been absent from the blog. I have a string of shows I intend to see (Girls and Neon Indian are on tap just for today!), so I’ll be sure to post some more in depth reviews. I’ll also update a bit more regularly with daily blurbs of interesting acts, videos, and songs found throughout the interwebs. Plus, my vinyl collection has been growing and I have some ripped gems that I want to share with the world, so stay tuned!

Here are some tracks from the artists mentioned above:

The Diamond Center // Dos Fridas

Woods // Rain On

Grouper // Heavy Water/I’d Rather Be Sleeping

Choir of Young Believers // Next Summer

Did You Miss Me? Pt. II

Wednesday, November 18th, 2009

Picking up where I left off from my previous post, in June I was fortunate enough to visit the musical center of the south: Austin, Texas. Although I was in town on some other matter, I was able to sneak out and watch Sunset Rubdown tear down the house at Mohawk. I won’t gush too much about the greatest band on the planet, but let’s just say seeing them play tracks off of Dragonslayer, especially their perfect performances of “Idiot Heart” and “You Go On Ahead (Trumpet Trumpet II)”, was one of the most awe-inspiring things I have ever experienced. On a side note, lead singer and all around bad ass Spencer Krug mentioned the performance to Pitchfork.

July sneakily crept on me and before I knew it I was celebrating my Jack Bauer Birthday (24) with Rhode Island alt-country act Deer Tick and LA barnstormers Dawes. Knowing nothing about Dawes, I was pleasantly surprised with their act. Lead singer Taylor Goldsmith confidently spit out vocals throughout, climaxing when Deer Tick’s frontman John McCauley joined him onstage for a powerful rendition of their song “When My Time Comes”. When it came time for McCauley to shine with his group, I have to admit the performance was rather lackluster. Although all the classic songs were played and they performed past their allotted hour and a half time slot, I got the impression that they shipped in their set from the get-go. Fortunately, listened to Dawes in my car on the way home got the sour taste out of my mouth.

Unexpectedly, later in the month when I visited my friend at Penn State, I noticed that Deer Tick and Dawes were performing in Montreal. After exhausting everything to do in State College, PA (which was pretty easy to do in the small college town), we decided to road trip it up to Canada for the weekend. Again, Dawes kicked ass with their performance and Deer Tick sort-of floundered throughout (McCauley cut this performance short because of a sore throat).

Once arriving back into Lubbock via Pennsylvania, I had three days of relaxing before jet setting again; this time to Portland, Oregon. Although I was there to scout out an apartment, I would be lying to you if I said I had no intention to check out the music scene. As fate would have it, I saw a guy in a KTXT T-shirt at one of the bars I was in who just so happened to be the drummer for Thao and The Get Down Stay Downs. He invited me for a non-publicized “secret gig” at the newly christened venue The Woods later that evening. Needless to say, I took him up on the offer and was completely taken aback by the whole show.

Opening was Portland’s own Horse Feathers, which is essentially a more delicate version of Iron & Wine. Lead singer Justin Ringle captivated the crowd so much that you could literally hear a pin drop. Saying it was an intimate setting would be an understatement. The quiet atmosphere was unbecoming to Thao, leading her to plead to the audience to stand up and “come and dance with us”. By the time she busted out “Bag of Hammers” for her second song, everyone shed their cautious skin and started to at least do the “indie-sway”. All-in-all it was a great performance that had the one-of-a-kind Portland feel to it.

That concludes the second part of my catching-up series. Here are some mp3s from the mentioned acts:

Sunset Rubdown // Nightingale/December Song

Dawes // When My Time Comes

Deer Tick // Dirty Dishes

Horse Feathers // Hardwood Pews

Thao and The Get Down Stay Downs // Big Kid Table (Daytrotter Session)

Did You Miss Me?

Tuesday, November 17th, 2009

So after ping-ponging between two continents, I’ve finally settled down in my new hometown of Portland — one of the self-described indie-Meccas of the US. So instead of draggin’ out the “what I did over summer vacation” by filing a steady stream of posts that could easily be carried into the next decade, I decided to assemble most of the live shows I witnessed (and recorded) into a condensed three-part article. So without further ado, let’s pick up where I left off:

I was fully expecting the Antony & The Johnsons to be my final European concert, however, I noticed that Swedish indie-pop act Love Is All was playing in the basement of a bar with a known capacity of about fifty. Although this was two days before I left by train to Denmark and I needed to pack up all my shit, I decided this was too good of an event to pass up.

For a crowd of twenty die-hard fans, you really couldn’t have asked for a better show. Love Is All brought their patented high-energy act, tearing through their sophomore album A Hundred Things Keep Me Up At Night in its entirety while still sprinkling in highlights from their critically acclaimed debut Nine Times The Same Song (playing not one, but TWO renditions of “Make Out Fall Out Make Up”). Not only was the music stellar, but the band was one of the most cordial of any I have ever met. Where most up-and-coming buzz-worthy bands would scoff at such a paltry showing of support, Love Is All embraced the intimacy and put on a one-of-a-kind show.

Once arriving back to Lubbock, Texas after a brief stint in Denmark defending my thesis, I didn’t have much break since experimental Baltimore act Ponytail and SoCal garage rockers Mika Miko were set to play on different occassions within my first eight days on American soil. Opening for both acts were local acid-rockers The Numerators.

Being how I witnessed the Numerators in their infancy right before I left to go to Europe, I must say I was impressed at how much their live act has improved. Sonically, the noise is “cleaner” and more directed than anything they’ve recorded and with their constant motion moving around the stage and into the crowd, they are by far one of the most entertaining acts I’ve seen. I can’t wait until they release an LP and start touring seriously because I think they have a bright future ahead of them.

As for the main headliners, both Ponytail and Mika Miko did not disappoint. Both had energetic vocalists, blistering your ears with their shouts and screams disguised as “singing”, however Ponytail’s Molly Siegel took the cake by contorting her face into indescribable positions in order to get just the right sound out. As expected, it didn’t take long before a small (but destructive) mosh started and people were hanging from the rafters.

Molly Siegel of Ponytail

Molly Siegel of Ponytail

Jenna Thornhill of Mika Miko

Jenna Thornhill of Mika Miko

As for Mika Miko it was great to witness their raucous “don’t give a fuck attitude” that they seem to exhibit at every show they put on. With an endless supply of sub-three minute songs to rush through, Mika Miko easy packed more music into their 50 minute set than most headlining groups do in two hours. Unfortuantely, the group decided to disband earlier this month, so I won’t be able to witness the hurricane of sound from them ever again…

Well this is the end of the first part of my glorious return, tomorrow I’ll cover some more acts I caught over the summer in Lubbock as well as in Montreal and Portland. To tide you over, here are some mp3s from the mentioned acts:

Love Is All // New Beginnings

The Numerators // Strawberry Dreams

Ponytail // Beg Waves

Mika Miko // Turkey Sandwich