Archive for February, 2009

Islands // Prague // February 14, 2009

Monday, February 16th, 2009


Who would have thought that of all of the concerts I’ve witnessed in Europe so far, an Islands show in Prague would be the one I would have the most difficulty getting into because of the dreaded word “capacity”? I arrived at the “club”, or more accurately the basement of a college dormitory, a good half hour before Islands took the stage for, surprisingly, an opening act time slot. Already the place was packed enough that their meager coat check room was filled to the brink and standing room only was the norm. Low ceilings and dense cigarette smoke (I guess one of the few EU nations who don’t care about 2nd hand smoke) was a trademark of the venue making me relive all of the horrific news ticker “Dozens Die in Horrific Club Fire” headlines from the past.

All concerns and emergency exits plans were forgotten once Islands took the stage. Playing their patented crisp indie-pop grooves, the band was able to work around their claustrophobic inducing small stage quarters to give the audience a great show. Unfortunately, the crowd didn’t return the favor posing instead to be more nonchalant than excited, something I definitely didn’t expect from such an overflowing group of college kids. Regardless, Islands were able to churn out hit after hit (I’m looking at you “Creeper” and “The Arm”) while keeping the crowd between “arms crossed” and “nodding level” of entertained.
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Interview // CS Nielsen

Thursday, February 12th, 2009

I had the pleasure of interviewing country musician CS Nielsen (one of my favorite finds from last year) for my first article featured on The Llano Idea. Here is an excerpt from the interview which you can read in its entirety here:

Copenhagen, Denmark, seems an unlikely place to come across good ol’ fashioned country western tunes.  However, this past July I stumbled across a Danish artist that cured my West Texas homesickness with just a strum of his guitar. In a region better known for its electronic acts, CS Nielsen has been able to make a name for himself with powerful singing and intelligent songwriting reminiscent of past Americana greats such as Johnny Cash and Bob Dylan. I caught up with CS recently to ask him a few questions concerning his unlikely choice of sound and whether he had any plans of making a pilgrimage stateside.

Do you remember that first album that got you intrigued with country music — the one that made you think you wanted to do something like this?
I think my first introduction to hardcore country music was some old reel-to-reel tapes of my father’s that I got exposed to at a very early age. It was mainly Johnny Horton, Buck Owens, Marty Robbins and Johnny Cash. As a small kid I didn’t understand a word of English, but I was totally captured by the drama and fatalism of it all. Marty Robbins’ gunfighter ballads, for example – that was frightening stuff! It wasn’t too long after that that I discovered Hank Williams, and I still remember the first time I heard “Alone and Forsaken” and “I’m So Lonesome I Could Cry”.

Do you see the popularity of country music expanding in Denmark and the rest of Scandinavia — kind of like the emergence of “cool jazz” in the 50s and 60s?
Well, as far as country music I actually don’t see much going on in Denmark. Maybe I’m not looking hard enough! In the pop field, there’s a certain trendiness about ‘going country’ these days, but I don’t pay any attention to that whatsoever. Honestly, I don’t pay much attention to where country music is going in the States either. It’s extremely rare that I feel myself being moved by a new popular country act. In the left fields of alt. country something is happening though from time to time. Gillian Welch may be the most important artist to write and record in Nashville in many years, she’s fabulous. And of course we still have Steve Earle, Lucinda Williams, Emmylou Harris, and Hank III, bless his hell-billy heart!

CS Nielsen – Rage

CS Nielsen – Here’s Lost John

CS Nielsen – New Song

Crystal Antlers // Munich // February 9, 2009

Wednesday, February 11th, 2009


A lot of emphasis has been placed recently on the emergence of noise rock/punk bands. Mostly hailing from the West Coast, acts like No Age, Mika Miko, and HEALTH have rejuvenated a long line of distortion-happy groups stemming from the shoegazers of the late 80s and early 90s. Although it seems like every other new act these days aim to destroy melodies with raucous guitar in the hopes of being labeled the “most noisy”, Long Beach natives Crystal Antlers flip it around and produce some well thought out music that is on the brink of being more psychedelic than punk.

Pretty much every noise band that I’ve witnessed always seems to put on an energetic show representative of their music taste. Crystal Antlers were no exception to this – demolishing even my substantial expectations with every track. Although the crowd was of a meager size (saying there was 20 people there was probably generous), they were still able to put on a great set that gave me more enjoyment than the riot-like atmosphere of the Black Lips just a couple of nights before. Graced with an allotment of new music from a recording session prior to their European tour, there was no doubt that the band has been enjoying playing something other than the six tracks off their EP. One of the highlights in fact was a “never performed live” song off of their about-to-be-released LP Tentacles which had a four minute guitar interlude reminiscent of My Bloody Valentine’s patented thrashing. If the rest of the album is like that, it will be one of the most talked about albums of the year.
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The Llano Idea (pt. 2) // New Position

Tuesday, February 10th, 2009

If you might recall, recently I talked about the shutdown of KTXT 88.1-FM and the almost immediate online emergence of The Llano Idea. Well the good folks down at LI liked my writing enough to offer me a position for blogging with them. As a result, I will be doing (at least) a weekly post with them every Friday. Odds are, this will cut back on my writing on this site a little bit, but I will still be bringing (almost) daily posts of everything from mp3 downloads of new songs to live show reviews — continuing with Crystal Antlers tomorrow!

So if you want more of my writing, you can head over to The Llano Idea’s website and look for anything written by UnclePhil. Long live Fresh Prince.

Essential Software // Tune-Up

Sunday, February 8th, 2009


If you are an avid iTunes user like me, one of the most aggravating problems you have to deal with is the problems mislabeled iD3 tags have on album artwork. Some might think this isn’t too big of issue, but with the popularity of Cover Flow® on new Apple Products (I’m looking at you iPhone and iPod Touch), any sort of kinks with album artwork, no matter how minor there are, snowballs into a major sorting issue. The two most common problems I have are unrecognized album artwork or, for some reason or another, tracks from the same album associated with different album art.

Enter Tune-Up: a program which correctly relabels your iD3 tags and, as a result, selects correct album artwork for every album it finds in its searchable directory. Always linked whenever you open iTunes, Tune-Up has a nice interface where you can drag and drop problematic CDs and it will automatically find and fix the problems. I’ve been using Tune-Up for about a year now and I’ve only had a handful of disks which it couldn’t find (mostly hip-hop mixtapes) – it’s THAT good.
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SXSW Preview #4 // Daniel Martin Moore

Sunday, February 8th, 2009


Much has been made of how Daniel Martin Moore became a Sub Pop sensation by sending them a four track demo via snail mail and getting signed shortly thereafter. It’s hard to believe that Sub Pop, the label to bring us such greats as Iron & Wine, The Shins, and a little known band called Nirvana, seems to find time to sort through the countless submissions much less hear and seek out one of the “unknowns”. Regardless, this type of legendary tale has given Daniel Martin Moore some unrealistic expectations to fill which seemed to have disappointed a few.

For a guy who bases his music on simplicity, the fanfare surrounding Moore’s signing must seem like a whirlwind that he wishes could be tamed and toned down so he can carry on with playing his pure folk tunes. Accompanied mostly by just his acoustic guitar or a piano, Daniel Martin Moore’s music is carried by his voice and his laidback songwriting. His singing, closely resembling an American reincarnation of Nick Drake, goes down smooth with every listen. Effortlessly flowing from line to line, Moore’s tenor voice is best described as consistent – never imposing or too challenging for the listener. His songwriting tends to reflect more on his simple singing style than to make any sort of poetic statement. Although most likely written and recorded in an LA studio, it is easy to imagine Moore’s inspiration stemming from countless lazy summer days lounging on the back-porch of some podunk Kentucky town with only a guitar and a glass of lemonade to keep you company. As one might be put off by his conservative nature, I for one can relax and put on this album during the times I need to just take a break from it all.
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Great Buy // The Knife – Silent Shout

Saturday, February 7th, 2009


I don’t know what the deal is, but Amazon has been having some absurdly crazy deals on some GREAT albums lately. The latest installment is a $1.99 digital download of ptmusic’s favorite album of 2006: The Knife’s Silent Shout. So skip the trip to McDonalds today and get an awesome album instead.

EDIT :: It seems that Andrew Bird’s Noble Beast is also $1.99.

Jens Lekman // Older Stuff

Saturday, February 7th, 2009


Searching through the now defunct jenslekman.com right before he pulled the plug on his self-constructed site, I stumbled across some old recordings posted by him a good 3 1/2 years ago right when he first toured the US in promotion of his debut 2004 LP When I Said I Wanted to Be Your Dog. Meant at the time as a tour-only EP, USA October 2005 shows the origins of one of the wittiest songwriters of our generation.

Instrumentally stripped down, this EP feels more like intimate home recordings that were never planned to see the light of day than a touring album. Accompanied by only a piano in the Nagisa Ni te cover song “Me on the Beach” (sung in what sounds like fluent Japanese) shows a more serious side of Jens that is mostly shrouded under dense layers of situational humor and irony in his present work.
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Black Lips // Munich, Germany // February 5, 2009

Friday, February 6th, 2009


Odds are if you’ve heard about Black Lips it’s most likely due to seeing one of their crazy live shows are talking to someone who has. Stage diving, nudity, urinating and countless other acts done for “shock value” can be expected at a typical Lips set. Although they’ve claimed that they have cut down on their on-stage shenanigans, their recent stint in India where they subsequently got banned from the sub-continent after their second gig (the final slot in an Indian Metal “Battle of the Bands”) proves that their new-found “maturity” seems to be intermittent at best.

After the dust settled, the Black Lips caught a plane to Germany to record an EP with fellow, and equally volatile, King Khan before heading out on a European tour, sans Khan. Needless to say after hearing the news from Asia, I was amped to be able to see their act in person at a small venue in Munich. After an energetic but overall flat opener HARA-KEE-REES, the crowd braced for the main event by compacting themselves close to the stage. This was probably the most excited I’ve seen a European audience since my arrival a year ago.
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SXSW Preview #3 // Casiokids

Wednesday, February 4th, 2009


It seems I’ve fallen into a rut of only covering foreign electronic acts from the massive SXSW lineup, however, I would be remiss not to include one of my most anticipated acts of the whole festival: Casiokids. I was fortunate enough to catch this eccentric Norwegian band when they played the second warm-up day at the Danish Roskilde Festival. Armed with only a handful of listens to their myspace tracks, I didn’t know what to expect from this truly underground act. However, after witnessing the stage littered with homemade props, a multimedia show, and a sea of balloons on stage, I knew I was in for something mindblowingly special.
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