Archive for February, 2009

Cassidy vs. Freeway // Freestyle Battle

Friday, February 27th, 2009


Looking at the almost half million views accrued already, you might have seen the following freestyle battle highlighting the then 19 year-old Cassidy absolutely pummeling Rock-A-Fella signed Philadelphia Freeway. Since this showstopping performance Cassidy has:

  • Been on trial for 1st Degree Murder for an “incident” in his neighborhood
  • Been convicted of involuntary manslaughter from a separate drive-by shooting he participated in and subsequently servered with a 23 month sentence (which he served 8 before getting released)
  • Got in a Kanye-esque car crash and still has the scars to show for it
  • Released a half-way interesting third studio album aptly entitle B.A.R.S.

Damn, and I thought I led an interesting life…

Anyways, here is the video showing how freaking good Cassidy is at battles (courtesy of, of all people, Wavves’ blog). You got to love the ending with Freeway pleading for a beat to rap on and the “referee”, knowing it wouldn’t help, replies “Naw, everything’s straight raw”.

Max Tundra May Be Crazy…

Friday, February 27th, 2009


…but he knows how to remix a song. After apparently not liking his latest LP Parallax Error Beheads You as much as some people, he is slowly making me warm-up to him with possibly the coolest song remix I’ve heard of the new year.

Tundra, better known as Ben Jacobs to the non-robot world, puts his own patented fluttery synth and keyboard lines to good use, only this time it’s on Franz Ferdinand’s already synthed out “Ulysses”. But where in Parallax I became disinterested with Jacobs’ insane style by track 3, he tones it down a bit for the remix and, at the length of 1 song, it is a perfect dose of his music.

Anyways, if you haven’t heard it yet or don’t know what hypem is, you can check it out below:

Ulysses // Franz Ferdinand (Max Tundra Remix)

SXSW Preview #6 // Delta Spirit

Thursday, February 26th, 2009


Can you feel the excitement in the air? With the countdown ticking until the first bands take the stage at SXSW (20 days!), more blogs are featuring SXSW articles (including rants), more bands are updating their myspace profile, and more non-Texans are getting ready for a hefty diet of BBQ and Mexican food.

With that being said, the next installment on PTM’s SXSW preview is Delta Spirit. The band first made a small splash with their self-released EP I Think I’ve Found It, but because of the difficulty of procuring self-released records (see: Bon Iver) I, like most people, were first introduced to the band through their stellar Daytrotter session from 2007. The band came back in 2008 with Ode to Sunshine, an excellent “proper” release by famed label conglomerate Rounder Records. With a fresh new set of Daytrotter tracks under my belt, I revisited their debut album with the same amount of giddy as a schoolboy in a candy shop.

A modern take on classic Americana, Delta Spirit is definitely rooted in rock & roll and folk music of the past. There’s horns, there’s tambourine, and yes there’s a harmonica here and there, but where most folk rock group nowadays use these instruments as uninspiring highlights (misguidedly thinking unusual instrumentation automatically deserves up front and center attention), Delta Spirit puts them to good use only as accents to their incredibly strong guitar and vocals arrangements.

Although lead singer Matt Vasquez’s voice is often (and rightfully) compared to that of Nathan Willett of the Cold War Kids, there are some tracks where he varies his delivery. For example, the end of “Bleeding Bells” reminds me of a tamer, less raspy Deer Tick and there is a hint of The Tallest Man on Earth on the slower pieces. Hell, I’ll even thrown in a quivering Thom Yorke comparison into the mix as well. And just because he might sound like a particular singer doesn’t mean the band he’s in creates anywhere near the same music – just ask Matt Berninger from The National about his seemingly endless comparisons to Silver Jew’s front man David Berman when they first broke into the scene…

Delta Spirit is gracing Austonians with a pre-SXSW date at Emo’s Lounge on February 28 before heading back for the real deal in March. The dates and locations they are listed as playing are:

March 18 // Radio Room // 1:00am
March 19 // Cedar Street Courtyard // 10:30pm

And here are a couple of tracks to get you excited:

Delta Spirit // Trashcan

Delta Spirit // People, Turn Around

R.I.P. // Orlando “Cachaito” López

Wednesday, February 25th, 2009


For those who didn’t hear the news that practically got shut out from all major media coverage (besides a small obit in the New York Times and a blurb on pitchfork), Cuban bass legend “Cachaito” Lopez passed away a couple weeks back from complications due to prostate surgery. My latest Llano Idea article will be covering his death in more detail, but for now here is an excerpt:

If you are unfamiliar with López personally, you might know him as being the bassist of the famed Cuban supergroup The Buena Vista Social Club. Due to the efforts of guitarist, producer, and world renown always willing collaborator Ry Cooder (Rolling Stones, jazz legend Earl Hines, even the motherfucking Chieftains), the BVSC was formed by plucking former Cuban musician legends out of obscurity and placing them into a Havana studio to record an LP. Well crafted and an overall pleasant listen, Buena Vista’s album put Cuba back on the map and created “Cubamania” worldwide – selling out venues everywhere from Amsterdam to New York City. Twelve years later and over eight million records sold, Buena Vista’s self-titled LP became, in one critic’s opinion, “world music’s equivalent of The Dark Side of the Moon.”

Never having the charisma of lead singer Ibrahim Ferrer or tres player Compay Segundo, López made up for his lack of a stage presence by exuding a deep musical understanding unparalleled by any of his band members. Being raised in a household where his father played bass, his grandfather played bass, and, if rumor is true, thirty of his family members played bass, López certainly had the pedigree that breeds musical expertise and creativity. Boasting an ability to sight-read anything as well as having a knack of “always knowing what other people will play before they play it”, López was one of the best improvisers on the planet.

Here is a video to display López’s great improvisational skills:

Ben Gibbard // Covers

Monday, February 23rd, 2009


Ben Gibbard loves the cover songs – and by loves and I mean he has an uncontrollable need to cover everything under the sun. No artist, no song is off limit when Gibbard picks up his acoustic guitar and declares “OK, this one is a cover song”. Here are just a few examples of the, literally, countless Youtube videos of Gibbard playing non-Death Cab & non-Postal Service songs:

Yellow Bird Project

Sunday, February 22nd, 2009


You like cool concert t-shirts? You also like making a difference, right? Well the good folks down at the Yellow Bird Project have put those two great loves together – offering t-shirts drawn and designed by bands where all profits raised go to charities selected by the artists!

Boasting a hefty list of collaborators including Stars, Bon Iver, Wolf Parade, and everyone’s favorite former graphic design students turn band The National, Yellowbird has been able to raise oodles of money for women shelters, Gulf Coast relief, Art for Change, and other altruistic groups. The list or participants (and charities) continue to grow, so it’s best to check back often to see if other shirt designs strike your fancy. Personally, I have my eye on the “Feed the Gnome” design produced by Wolfmother…

Oh yeah, did I mention they have a theme song by The Tallest Man on Earth which you can download for free here?

Mountain Goats // Older Stuff

Sunday, February 22nd, 2009


I have iTunes shuffle to thank for reintroducing me to my dense Mountain Goats collection. One of my favorite live recordings of John Darnielle was when he did an in studio session with freeform, listener-supported WFMU in 2000. Just two days after the release of one of my favorite Goats album The Coroner’s Gambit, the live session has tracks from that LP sprinkled throughout.

Recorded with a Panasonic RX-FT500 (or otherwise known as a 90s boombox), the WFMU tapes keep true to Darnielle’s patented style of recording he used for all LPs prior to Tallahassee. The vocals on the live tape are a little less clear, but surprisingly there is little presence of static that is typical of such lo-fi recording. Anyways, if you were like me and had forgotten the shear awesome of Darnielle and his songwriting, the tapes will reignite that flame. The following are a couple of tracks – you can download the complete session here.

The Mountain Goats // Going to Alaska

The Mountain Goats // Elijah

The Mountain Goats // Baboon

And I would be remiss to not include one of my favorite cover songs of all time:

Neko Case // Munich // February 19, 2009

Saturday, February 21st, 2009


In an effort to work the kinks out of her new material live, Neko Case put together a brief European tour before Middle Cyclone drops on March 3. I was fortunate enough to catch an intimate show of theirs (approximately 100 people) put on at the Orangehouse – a venue more known for bringing in obscure metal and hard rock acts than critically acclaimed alt. country groups.

Still reeling from the effects of jet lag, Case & Co. was more laid-back and subdued than taking charge as their new awesome album cover would suggest. Although an inordinate amount of time was spent having to tune after every song (one of my personal pet peeves) which gave way to some of the most bizarre banter I have ever heard, when the band got their act together and actually started to play some music, it was heavenly.

The band opened with one of the Fox Confessor favorites “Maybe Sparrow”. If there was any doubt in my mind that Case couldn’t replicate her singing in a live setting, it was squelched within the first opening bars. I was surprised that after such little warm-up during sound check Case was able to belt out album-quality vocals throughout her complete range with not so much as a hint of uneasiness. It was absolutely stunning.
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SXSW Preview #5 // HEALTH

Saturday, February 21st, 2009


HEALTH is a noise rock band hailing from Los Angeles who put more emphasis on “noise” than their fellow noise group contemporaries. Staples at the famed LA venue The Smell, HEALTH has gotten quite a reputation for pushing the boundaries of what music is while still roping in droves of listeners. Unfortunately, most people are aware of HEALTH solely from the remix Crystal Castles did of their song “Crimewave” – digitizing the vocals and pretty much gutting the rest of the song. Although I won’t disagree that the remix sounds good, it is not a fair representation of what the band truly is about.

During my time in Denmark, I caught a couple of minutes of an unexpected HEALTH show. I went to a Man Man concert in the modern day hippie colony smack down in the middle of Copenhagen (otherwise known as Christiania) where, to my surprise, HEALTH was also listed as being on the bill. Due to an unexpected cancellation of their show in Finland, the group decided to change course and play in Denmark, unbeknownst to pretty much everyone in attendance. Unfortunately, they were scheduled as the closing act which most people going to a Man Man show didn’t care to stick around and see. People (including myself – I was with a group) filtered out after a couple of songs which left the whole venue sadly bare.

I was able to catch three songs of theirs before leaving and feel like between that and the countless other videos I’ve watched online, I have a fair understanding on how their live act is. Certainly not meant for the unadventurous concert go-er, seeing HEALTH live shows them doing what they do best: make a lot of racket by twisting and turning distortion knobs, slamming guitar strings, and using the exotic Zoothorn which links the microphone with guitar pedals. It’s not all audio muck though as a lot of songs begin with a fair amount of direction mostly due to the driving drum beats courtesy of BJ Miller. Take the aforementioned “Crimewave” – one would never know from the Crystal Castles mix that such precise and insanely complex drumbeats are present throughout the original song.
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Wavves // Munich // February 17, 2009

Wednesday, February 18th, 2009


Last night I was able to catch a really good Wavves concert (with a great opening act Mondo Ray) that I wrote about for The Llano Idea. Here is an excerpt you can find in full here:

Instead of trying to recreate the cacophony of sounds associated with every Wavves song, Williams opted instead to sift his live music through a coarse audio strainer, leaving out the harshest of elements to better highlight the more melodic parts. Although noise punk purists would probably scoff at such a move, the clarity in sound made the vocals more distinguishable, allowing fans next to me to utter to each other “so THAT’S what he’s saying!”

There was no dull moment the entire show with Williams filling his 40 minute set with future hit after future hit. With Ulsh’s powerful drumming (especially on the catchy-as-hell opening), “So Bored” was the opposite of malaise – jolting the crowd out of their nonchalant funk. Williams went especially berserk on “No Hope Kids”, excitedly jumping around on stage and shouting used-to-be-truthful lines like “Got no job / Got no money” between pauses from headbanging. Although most of his songs center on high intensity and speedy tempos, Wavves isn’t a one-trick pony. Exhibiting his ability to slow it down, Williams shined vocally on “Weed Demon” – making his “oohs” and “ahhs” sound about ten times creepier live.

You can check out my photos and videos from the Wavves concert and also jam out to some tunes below.

Wavves // So Bored

Wavves // Wavves